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4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula

'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...

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Ellen Altfest Ocula Conversation Ellen Altfest

The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...

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Colomboscope 2019: Cross Currents and Dissonance Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula

On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...

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Related Press

Dale Frank at Pearl Lam Galleries Hong Kong

Brittany Dale ArtAsiaPacific 8 March 2017

Exhibition view of DALE FRANK's solo exhibition at Pearl Lam Galleries, Hong Kong, 2017. (Front) Warszawa, 2016, mixed white human hair on Perspex, 200 × 200 × 8 cm. Courtesy Pearl Lam Galleries.

Entering Dale Frank’s solo exhibition at Pearl Lam Galleries in Hong Kong was comparable to stepping into a parallel universe where shapes are distorted and luminescent colors reign supreme. It was an alienating yet simultaneously engaging experience that clearly exemplified Frank’s own philosophy toward distancing himself from his works. Once completed, his sculptural paintings take on a life of its own, and Frank considers them completely independent of himself. He also believes that a 'painting doesn’t have to speak,' a sentiment expressed in the exhibition’s catalogue. The viewer is not meant to look for profound meaning within his works, but instead, is encouraged to consider the works as they are.

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