I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Darren Almond, from the Amalfi Sketchbook series (2018). Courtesy Crown Point Press. Photo: Darren Almond Project 2018.
From across the gallery, the four framed prints of architectural ruins look like vintage black-and-white photographs. But a photograph is just the start for what you are seeing at Crown Point Press.
Since its foundation in 2001 by Park Kyung-mee, the former commissioner of the Korean pavilion at the 49th Venice Biennale, PKM Gallery has established itself as one of the leading contemporary art galleries in the world, representing prominent Korean and international artists through its creative programs in the context of global contemporary art.
PKM Gallery began with a renovated three-story residential building, providing 3,500 square feet of exhibition space in Hwa-dong, Central Seoul. The gallery successfully grew in stature with its various exhibition programs while actively promoting Korean emerging artists on the international stage. In the spring of 2008, PKM Trinity Gallery, located in Cheongdam-dong, opened as the second venue of PKM Gallery which had its focus on representing world-renowned artists in its impeccable exhibition space measuring more than 6,000 square feet. The gallery contributed greatly to making Cheongdam-dong as a cultural hub of Seoul, not a mere fashion and upscale commerce area but also a new destination for art lovers. In the spring of 2015, PKM Gallery will relocate to Samcheong-dong in the heart of the capital with its renaissance as the hub of art and culture. Its spectacular architecture of 6,200 square feet will become the landmark of this ancient quarter of the city where tradition and cutting-edge innovation coexist.
As one of the leading galleries in the global art world, PKM Gallery is committed to promoting contemporary art in the international artistic context and to providing sophisticated aesthetic experience to a wide audience worldwide.
SCAI THE BATHHOUSE is a contemporary art gallery known for introducing Japan's avant-garde artists to the world as well as for helping exceptional artists from abroad to establish a presence in Japan. SCAI has a strong track-record of large-scale exhibitions presenting artists such as Lee Ufan and Tadanori Yokoo who led the genesis of Japanese contemporary art, and Toshikatsu Endo, Tatsuo Miyajima, and Mariko Mori who brought Japanese contemporary art to the world's attention in the latter half of the '80s and the '90s by showing their works in international exhibitions. Through their association with SCAI, international artists such as Anish Kapoor and Julian Opie have produced new series of works inspired by Japanese traditional culture and crafts.
SCAI also works to discover and promote young artists. Recent successes include stars of international biennales and of well-acclaimed exhibitions at major art museums, such as Kohei Nawa, Nobuko Tsuchiya, Toru Kamiya, Katsuhiro Saiki, Jeppe Hein, Dzine, and Brian Alfred.
In addition to gallery exhibitions, SCAI has also been responsible for numerous site-specific projects, including public art by Tatsuo Miyajima and Louise Bourgeois at Roppongi Hills, and Julian Opie's commissioned work at Omotesando Hills.
SCAI THE BATHHOUSE opened in 1993 with the completion of the renovation of Kashiwayu, a venerable public bath with a 200-year history. The outside of the bathhouse possesses an elegant atmosphere, with its tiled roof and towering chimney. Take one step inside and you find yourself in a very unique exhibition area, a neutral space with white walls, a concrete floor and natural light descending from the high ceiling. Located in the traditional shitamachi (downtown) Yanaka district, SCAI THE BATHHOUSE lies in middle of an art zone, conveniently close to Ueno where many museums and art universities can be found. The gallery is a six-minute walk from the South Exit of JR Yamanote Nippori Station, and a seven-minute walk from Nezu Station on the Chiyoda Line.
February, 1888. A small, cheerless room in the south of France. Vincent Van Gogh has come here to escape the grey Paris light, but this doesn't seem much better. He flings down his heavy pack, takes a seat on a lone wooden chair, unlaces his boots. Yes, you think, have a nap; this is all exhausting. But no – he arranges the beaten-up old shoes on...
There are only two lines of text on the pitch-black billboard Felix Gonzalez-Torres debuted in 1989, but every word bears the weight of LGBTQ history:People With AIDS Coalition 1985 Police Harassment 1969 Oscar Wilde 1895 Supreme Court 1986 Harvey Milk 1977 March on Washington 1987 Stonewall Rebellion 1969
Brook Andrew's grandmother was forbidden to speak her Wiradjuri tongue. 'People need to understand there were generations of genocide in this country,' the artist and first Indigenous Australian artistic director of the 22nd Biennale of Sydney (which will take place across six Sydney sites in 2020) tells Art Guide Australia. 'And it takes time,...
At the opening of her exhibition at London's Serpentine Sackler Gallery, German filmmaker and visual artist Hito Steyerl reiterated the demands of artist and activist Nan Goldin who has campaigned against the Sackler family over their ties to the US opioid crisis.
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