Dominique Gonzalez-Foerster, born 1965 in Strasbourg.Read More
Selected solo exhibitions include: SPLENDIDE—HOTEL, Palacio de Christal, Parque del Retiro, organized by the Museo Nacional Centro de Arte Reina Sofia, Madrid (2014); M.2062 (Lola Montez in Berlin), Berlin (2014); Cloud Illusions I Recall (a collaboration with Cerith Wyn Evans), Irish Museum of Modern Art, Dublin (2013); M.2062 (Scarlett), The Museum of Kyoto, Japan (2013); T.451, Tensta Konsthall and the Asplund Library, Stockholm (2012); chronotopes & dioramas, Dia Art Foundation, New York (2009) and TH.2058 The Unilever Series, The Turbine Hall, Tate Modern, London (2008).
Selected performances and group exhibitions include: Manifesta 10, State Hermitage Museum, St. Petersburg (2014); 1984 – 1999 The Decade, Centre Pompidou-Metz, Metz (2015); Solaris Chronicles, Parc Des Ateliers, Luma Foundation, Arles (2014); Lucius Burckhardt and Cedric Price – A Stroll Through a Fun Palace, Swiss Pavilion, Biennale Architettura, Venice (2014); M.2062 (Edgar Allen Poe), Promenade dans la salle des marquees, Palais de Tokyo, Paris (as part of her contribution to Phillipe Parreno's solo exhibition) (2013); Stage it! (Part II), Stedelijk Museum, Amsterdam (2013); ELLES, CCBB RJ, Rio de Janeiro (2013); Räume der Erinnerung, Kunsthalle Düsseldorf (2012); To the moon via the beach, organized by Liam Gillick and Philippe Parreno, LUMA Foundation, Arles (2012).
Dominique Gonzalez-Foerster lives and works in Paris and Rio de Janeiro.
Don’t you wonder sometimes, ’bout sound and vision?” David Bowie, ever the trailblazer, perfectly expressed the impulse behind this show back in 1977. The Infinite Mix, a Hayward Gallery pop-up staged while its South Bank home is being refurbished, features 10 video installations in which artists, mostly from the UK, Europe and...
From the 7th edition of Korea’s Busan Biennale to Japan’s new Triennial the Okayama Art Summit, these five international events will provide thoughtful reflection on new and refreshing curatorial practices in the context of the Biennale infrastructure.