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Aesthetic Radicalism in 'Awakenings’ at Singapore’s National Gallery Ocula Report Aesthetic Radicalism in 'Awakenings’ at Singapore’s National Gallery 21 Jun 2019 : Sam Gaskin for Ocula

Awakenings: Art in Society in Asia 1960s–1990s, a major retrospective at Singapore's National Gallery (14 June–15 September 2019), opens emphatically in flames. At the exhibition's entrance, viewers encounter a wall-sized image from 1964 titled Burning Canvases Floating on the River. The photograph captures a performance by Lee Seung-taek, in which...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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'Sites Encountered': A Chorus of Five Artists at M+ Pavilion Ocula Report 'Sites Encountered': A Chorus of Five Artists at M+ Pavilion 21 Jun 2019 : Emily Verla Bovino for Ocula

Without punctuation, She Said Why Me, the title of May Fung's 1989 video presents itself as a statement, rather than a question. It suggests a subject who expects no response, a person prepared to make what she can from being chosen though perplexed by the attention. The video follows a blindfolded woman, then unmasked, through late colonial-era...

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Edward Burtynsky

b. 1955, Canada

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'The world we live in: through the lens of contemporary photography' presented by Sundaram Tagore Gallery and Collective 88 in partnership with Ayala Museum  Related Press 'The world we live in: through the lens of contemporary photography' presented by Sundaram Tagore Gallery and Collective 88 in partnership with Ayala Museum 12 January 2016

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Edward Burtynsky At Sundaram Tagore Hong Kong Related Press Edward Burtynsky At Sundaram Tagore Hong Kong Edmund Lee for The South China Morning Post / 11 May 2014 : 12 May 2014

No apologies are necessary if you’d never heard of Edward Burtynsky before Manufactured Landscapes (2006), the visually entrancing documentary by director Jennifer Baichwal. At once an art-house cinema favourite and a gentle reminder of mankind’s reckless destruction of nature, the film follows the Canadian photographer as he wanders a...

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