Ernesto Caivano’s meticulously detailed ink drawings depict an ambitious narrative based on lovers’ courtship, separation, retribution and eventual evolution. Varying in format and scale from scroll-like panoramas to small detailed studies, Caivano drawing’s portray a timeless tale of Polygon and Versus who were torn apart upon the consummation of their union and transported into the woods, signifying an alternate reality and universe. Through time, Versus, clad in a knight’s armour grows congruent with his natural habitat while the dress Polygon wears transforms into a tardis representing advancement of intelligence and technological development. As João Ribas further describes: ‘A syncretist amalgam of folklore, fairytale, and scientific speculation, Caivano’s narrative serves as a search for meaning lost in our own abundance of information’.
Read MoreUsing the narrative as a generative tool, Caivano resists any chronological reading by switching between staged episodes of the lovers desperate struggle to communicate and find each other (aided by birds called the Philaphores) to more specific features such as the coded communication between the lovers, atmospheric debris and extinct species of flora that inhabit the woods. Together these provide a versatile compendium of Caivano’s unique Edenic world, rich in stylistic influences both archaic and contemporary; Renaissance literature, archaeology, medieval art, Albrecht Dürer, Japanese prints and screens through to more Modernist strands of abstraction and minimalism. Accumulating an expansive realm of sources and anomalies from nanotechnology, molecular physics to cosmology and mysticism, Caivano masters his own parallel universe and self-contained evolution.
Ernesto Caivano was born in Madrid, Spain and currently lives and works in New York. He has studied at The Cooper Union and Columbia University in New York. Solo exhibitions include Echo Gambit, White Cube, London (2008), After the Woods: A Selection, PS1/MoMA, Long Island City, NY (2004). He has participated in many major group exhibitions including No New Thing Under The Sun, Royal Academy of the Arts, London (2010), Kupferstichkabinett: Between Thought and Action, White Cube, London (2010), Like Color in Pictures, Aspen Art Museum, Aspen (2007), On Line, Louisiana Museum of Modern Art, Humlebaek, Denmark (2005), the Whitney Biennial, New York (2004) PS1, New York (2004), .
