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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami and Tobias Berger Talk Murakami Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami and Tobias Berger Talk Murakami

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Related Press

'One Minute Sculpture' at Twenty: Erwin Wurm's 'Ethics Demonstrated in Geometrical Order'

Louis Bury Hyperallergic 1 May 2017

Erwin Wurm, Spaceship to Venus (2016) (all image courtesy the artist and Lehmann Maupin, New York and Hong Kong. All photos by Eva Wuerdinger unless noted otherwise).

In the twenty years Erwin Wurm has been making his one minute sculptures, the sculptures' Conceptual recipe has remained consistent. Then as now, viewers, prompted by simple written instructions, realize the sculptures by briefly enacting awkward, often humorous or humiliating, poses with repurposed everyday objects such as a desk, a bunch of pens, a bucket, or fruit. What has changed over time is the sculptures' cultural, political, and artistic context. Where Wurm once documented the realized sculptures with a signed Polaroid, today's participants can now self-document and disseminate the work with technological speed that makes Polaroids seem at once prescient and quaint.

READ MORE ON hyperallergic.com

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