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58th Venice Biennale: May You Live In Interesting Times Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula

The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...

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Zheng Bo Ocula Conversation Zheng Bo

Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...

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Auckland Art Fair 2019: Conversations Extended Ocula Report Auckland Art Fair 2019: Conversations Extended 24 May 2019 : Sherry Paik for Ocula

The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...

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Related Press

'The colours I use are the colours of California' - an interview with Etel Adnan

Gabriel Coxhead Apollo Magazine First published on 16 June 2018

Etel Adnan. Courtesy Apollo Magazine. Photo: Elizabeth Young.

There’s something curiously familiar about visiting Etel Adnan’s apartment in Paris. Not that I’ve ever been there before. But in recent years it has become a sort of cult destination for art-world figures, mentioned and mythologised by the various curators and critics who go to meet her, as well as depicted in film-portraits of the artist. Her desk and workspace were even recreated for an exhibition in 2015. And there are all the inevitable associations that come with being an artist of a certain age and living in Paris.

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