You must first login or register to follow this artist. X
Ocula MagazineContentsView All
Featured ContentView All
Emi Eu: ‘We have to look at Southeast Asia as one market’ Ocula Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ Stephanie Bailey, Singapore

STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.

Fade out copy.
Read More
New Delhi, Mumbai, Kolkata: Shows to See Ocula Report New Delhi, Mumbai, Kolkata: Shows to See Kanika Anand, New Delhi

With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.

Fade out copy.
Read More
Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin

Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.

Fade out copy.
Read More
HomePage Artists

b. 1957, China

Hu Jieming Biography

Hu Jieming is one of the pioneers of digital media and video installation art in today's China. He shows his partiality to interdiscipline which leads into a blending of remote fields. Hu’s works pay attention to internal physiology by transferring physical diagrams, gestures, architectural areas, identifications and staves etc. into a synthesised visual experience. Hu Jieming raises views and questions about time, space, history and memory, while his art covers a range of medium working with photography, video and digital interactive technology. He places the audience in the past and an uncertain situation, reminding them of personal memories to shape up individual texts. The objects, materials, videos, interactive programs and intelligentised controlling system in Hu’s works have embodied a nondescript domain which embraces infinite historical memories. They tangle with each other, cover each other, continuously dissolve themselves and generate each other. His works convey not only feelings towards objects, actually a new narrative relationship is established upon the present time and space.

Read More

Hu Jieming was born in 1957 in Shanghai. He graduated from Shanghai Light Industry College, Fine Arts Department in 1984. He resides and works in Shanghai. Hu Jieming has exhibited widely. Recent shows include Reactivation—9th Shanghai Biennale, Power Station of Art, Shanghai (2012); N Minutes Video Art Festival, Shanghai (2011); 100 Years in 1 Minute, HU Jieming Solo Exhibition, ShanghART Gallery, Shanghai (2010); Fantastic Illusions, Media Art Exhibition of Chinese And Belgian Artists, MoCA Shanghai (2009); DEAF07, Interact or Die!, V2, Institute for the Unstable Media, Rotterdam, The Netherlands(2007); The Thirteen: Chinese Video Art Now, P.S.1, New York (2006); Between Past and Future: New Photography and Video from China, various cities in the US, U.K. and Germany (2006/2005), Zooming into Focus, National Art Museum, Beijing(2005), In their 40's, ShanghART Gallery, H-Space (2005) and 5th Shanghai Biennale: Techniques of the Visible, Shanghai Art Museum, Shanghai (2004).

Hu Jieming Featured Artworks

View All (22)
The Remnant of Images - Day & Night B 残影 - 昼 & 夜 B by Hu Jieming contemporary artwork
Hu JiemingThe Remnant of Images - Day & Night B 残影 - 昼 & 夜 B, 2018Multi-channel video installation with IPS screens and PC host
ShanghART Enquire about this work
The Remnant of Images - Day & Night A 残影 - 昼 & 夜 A by Hu Jieming contemporary artwork
Hu JiemingThe Remnant of Images - Day & Night A 残影 - 昼 & 夜 A, 2018Multi-channel video installation with IPS screens and PC host
ShanghART Enquire about this work
Mirror by Hu Jieming contemporary artwork
Hu JiemingMirror, 2018Video installation
62 x 35 x 6 cm
ShanghART Enquire about this work
A Story in Camera by Hu Jieming contemporary artwork
Hu JiemingA Story in Camera, 2018Double channel video installation
79 x 89 x 102 cm
ShanghART Enquire about this work
Man Tree by Hu Jieming contemporary artwork
Hu JiemingMan Tree, 2018Photograph
65 x 40 cm
ShanghART Enquire about this work
Orchard Road by Hu Jieming contemporary artwork
Hu JiemingOrchard Road, 2018Photograph
65 x 100 cm
ShanghART Enquire about this work

Hu Jieming Recent Exhibitions

View All (7)
Contemporary art exhibition, Group exhibition, Side Lanes 辅路 at ShanghART, Shanghai
Closed
18 January–24 February 2019 Group exhibition Side Lanes 辅路 ShanghART, Westbund, Shanghai
Contemporary art exhibition, Hu Jieming, Synchrony at ShanghART, Beijing
Closed
18 September–21 October 2016 Hu Jieming Synchrony ShanghART, Beijing

Hu Jieming Represented By

Hu Jieming In Related Press

'The Dynamics': Chinese multimedia art at ShanghART in Singapore Related Press 'The Dynamics': Chinese multimedia art at ShanghART in Singapore 16 November 2016, Art Radar Journal

Mention new media art, and the first things which might come to mind are a sense of ephemerality and insubstantiality – the evanescence of artworks which exist, in some sense, as particular arrangements of bits. Not so with The Dynamics , a largely new media-based group exhibition at Singapore’s ShanghART gallery, which places some...

Fade out copy.
Read More
'That Has Been, and May Be Again' at Para Site, Hong Kong Related Press 'That Has Been, and May Be Again' at Para Site, Hong Kong 29 July 2016, ArtAsiaPacific

Opened alongside Para Site’s 4th annual International Conference (6/21–23), That Has Been, and May Be Again  is an exhibition honoring the multitude of voices that have arisen throughout 1980s and ’90s China, that speak to the search for a cultural and political identity during the country’s modernization. The diverse...

Fade out copy.
Read More
Hong Kong show of underground 1990s Chinese art offers different perspective on era Related Press Hong Kong show of underground 1990s Chinese art offers different perspective on era 27 June 2016, South China Morning Post

A new show at Hong Kong’s Para Site exhibition space is a reminder that mainstream narratives have a tendency to obscure what artists do during periods of great political change. Those narratives affect how we see art history. After the 1989 Tiananmen Square crackdown, it was assumed that the restrictive environment forced artists to...

Fade out copy.
Read More

Sign up to be notified when new artworks and exhibitions by Hu Jieming are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook