The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
Exhibition view: Erwin Wurm, Ethics demonstrated in geometrical order, Lehmann Maupin, 536 West 22nd Street (30 Mar - 26 May, 20170. Courtesy Lehmann Maupin, New York and Hong Kong. Photo: Elisabeth Bernstein.
Ethics demonstrated in geometrical order will showcase new works from the artist Erwin Wurm's series One Minute Sculptures, which he's been making for 20 years. The series asks viewers to enact a pose with everyday items for just one minute—this time around he's using midcentury modern furniture. These audience-activated sculptures will also be on view at this year's Venice Biennale where Wurm will represent Austria.
Cahiers d’Art is one of the world’s most distinguished publishers of the visual arts. We work directly with artists and their estates to create a revue, books, limited edition books and prints, and catalogues raisonnés–each of which is a celebration of the artist’s individual character and
Founded in 1926 by Christian Zervos at 14 rue du Dragon in the heart of Saint-Germain-des-Prés, ‘Cahiers d’Art’ refers at once to a publishing house, a gallery, and to a revue. Cahiers d’Art was entirely unique: a journal of contemporary art defined by its combination of striking typography and layout, abundant photography, and juxtaposition of ancient and modern art, where writers like Tristan Tzara, Paul Éluard, René Char, Ernest Hemingway and Samuel Beckett often replaced the usual art critics. The early days of Cahiers d’Art coincided with the advent of the Bauhaus, Le Corbusier, of Klee and Kandinsky, and with Zervos’s exploration of primitive art and Cycladic archaeology.
From 1930 until the outbreak of World War II, the journal concentrated on the work of Picasso, Matisse, Braque, Léger, Ernst, Arp, Calder and Giacometti, amongst others. By 1932, Cahiers d’Art had published the first volume of the Picasso Catalogue, a project that would become a life’s work, prepared by Zervos together with Picasso.
Artist collaborations with Cahiers d’Art often yielded original artwork. Joan Miró’s 1934 pochoirs and his Aidez L’Espagne, produced in 1937, and Marcel Duchamp’s Fluttering Heart of 1936, perhaps the world’s first example of kinetic art, are some of the most iconic images ever produced by these two artists.
Christian and Yvonne Zervos organized between two and five exhibitions per year between 1932 and 1970 at the Cahiers d’Art gallery space, including the work of Calder, González, Tanguy, Laurens and Brauner. By 1960, Zervos had published ninety-seven issues of the Cahiers d’Art revue and more than fifty books, including monographs on El Greco, Matisse, Man Ray, and African and Mesopotamian Art. Zervos’s work on the Picasso Catalogue continued from 1932 until his death in Paris in 1970. These thirty-three volumes have since become the definitive reference for Picasso’s work.
Forty years after its establishment, Krystyna Gmurzynska and Mathias Rastorfer relocated the gallery from Cologne to its new flagship location in Zurich’s Paradeplatz in 2005. The building that currently houses the gallery dates back to 1857 and it is the same building in which the Dada movement was founded in 1917. The first exhibition in Zurich was a solo exhibition by Alexander Calder entitled, The Modernist, that was thoroughly endorsed by the Calder Foundation, who described it is as, 'rare to experience a presentation of this quality outside of a museum'. As with each exhibition at the gallery the show featured a fully illustrated catalogue with important essays.
Galerie Gmurzynska continues to present unique exhibitions that are both historically well researched and scientifically documented. It also continues to work with leading art historians as well as collaborating with museums on exhibitions and for the enlargement of their permanent collections. Additionally, it currently participates in several art fairs such as Art Basel Miami Beach, Art Basel Hong Kong, Frieze Masters in London, Salon in New York and Art Basel, Switzerland. In the past it has taken part in FIAC, Abu Dhabi and PAD New York.
Both Krystyna Gmurzynska and Mathias Rastorfer were awarded the Chevalier des Art et des Lettres by the French Minister of Culture. Krystyna Gmurzynska was the first foreigner to receive the merit for special achievements by Michael Shvydkoy, the Russian Minister of Culture, recognising her 'important contribution to scientific research, and for the organisation of exhibitions in the field of Russian art of the 20th century.'
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