b. 1949, Portugal

João Penalva Artworks

Looking up in OsakaEbisu Higashi 2 cho-me, Naniwa-ku (#2) by João Penalva contemporary artwork photography, print
João Penalva Looking up in OsakaEbisu Higashi 2 cho-me, Naniwa-ku (#2), 2005–2006 Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame, unique
202.7 x 152.7 x 5.7 cm
Simon Lee Gallery Contact Gallery
Back of a scenic floor cloth labelled ‘Act II’. Ball scene. Synthetic dyes on sized canvas by João Penalva contemporary artwork photography
João Penalva Back of a scenic floor cloth labelled ‘Act II’. Ball scene. Synthetic dyes on sized canvas, 2019 Archival pigment print on Hahnemühle Photo Rag 308 g, museum board, Plexiglass, oak frame
117.6 x 97.6 cm
Simon Lee Gallery Contact Gallery
Scenic prop.Bird catcher’s cage.Cloth-wrapped PVC structure with cotton and polyester thread net. by João Penalva contemporary artwork photography
João Penalva Scenic prop. Bird catcher’s cage. Cloth-wrapped PVC structure with cotton and polyester thread net., 2019 Selenium toned lith silver gelatin print on Fomatone MG, museum board, Plexiglass, oak frame
70.6 x 60.6 cm
Simon Lee Gallery Contact Gallery
Scenic flat being repaired.Cave scene.Water-based and synthetic dyes on seized canvas, water-based glue andnewspapers. by João Penalva contemporary artwork photography
João Penalva Scenic flat being repaired. Cave scene. Water-based and synthetic dyes on seized canvas, water-based glue and newspapers., 2019 Archival pigment print on Hahnemühle Photo Rag 308 g, museum board, Plexiglass, oak frame
117.6 x 97.6 cm
Simon Lee Gallery Contact Gallery
Looking up in Osaka Minamisemba 1 cho-me by João Penalva contemporary artwork photography
João Penalva Looking up in Osaka Minamisemba 1 cho-me, 2005–2006 Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame, unique
202.7 x 152.7 x 5.7 cm
Simon Lee Gallery Contact Gallery
Three lightbulbs, red, blue, and green by João Penalva contemporary artwork photography
João Penalva Three lightbulbs, red, blue, and green, 2003 Chromogenic print dry-mounted on Alu-Dibond, card, oak frame and museum glass
128 x 102 x 5 cm
Galerie Thomas Schulte Contact Gallery
Modern Toys by João Penalva contemporary artwork photography
João Penalva Modern Toys, 2011 Two parts work. Part 1: silver bromide print on Ilford Warm Tone Glossy fibre paper. Part 2: pigment print on Hahnemühle Photo Rag 310g paper
Galerie Thomas Schulte Contact Gallery
Display Stand, Sarkin Bequest no. 30 SD by João Penalva contemporary artwork photography
João Penalva Display Stand, Sarkin Bequest no. 30 SD, 2011 Two parts. Part 1: silver bromide print on Ilford Warm Tone Glossy fiber paper mounted on Dibond, maple frame, oak frame, museum board. Part 2: pigment print on Hahnemühle Photo Rag mounted on Dibond
Galerie Thomas Schulte Contact Gallery
Display (shoes) by João Penalva contemporary artwork photography
João Penalva Display (shoes), 2011 Silver bromide print on Ilford Glossy fibre paper mounted on Dibond, maple frame, museum board, museum glass
137.6 x 96.6 x 4 cm (incl frame)
Galerie Thomas Schulte Contact Gallery
Display (rugs) by João Penalva contemporary artwork photography
João Penalva Display (rugs), 2011 Silver bromide print on Ilford Glossy fibre paper mounted on Dibond, maple frame, museum board, museum glass
137.6 x 96.6 x 4 cm
Galerie Thomas Schulte Contact Gallery
Light beam by João Penalva contemporary artwork moving image
João Penalva Light beam, 2007 Video projection, colour, silent, 4 min. loop
Galerie Thomas Schulte Contact Gallery
Yusuke´s Sheepskin Coat by João Penalva contemporary artwork photography
João Penalva Yusuke´s Sheepskin Coat, 2006 Pigment print on Innova Natural White paper 310g dry-mounted on Dibond, paint, oak frames and acrylic glass
230 x 152 cm
Galerie Thomas Schulte Contact Gallery
They are Nobodies, only stuntmen by João Penalva contemporary artwork photography
João Penalva They are Nobodies, only stuntmen, 2006 Pigment print on Innova Natural White paper 310g dry-mounted on Dibond, paint, oak frames and acrylic glass
230 x 152 cm
Galerie Thomas Schulte Contact Gallery
As if she could see him by João Penalva contemporary artwork mixed media
João Penalva As if she could see him, 2011 Pigment prints on Hahnemühle Photo Rag paper mounted on Dibond, museum board, oak frames, museum glass
128.5 x 81 x 4 cm (incl frame)
Galerie Thomas Schulte Contact Gallery
W1W 8QN by João Penalva contemporary artwork painting
João Penalva W1W 8QN, 2015 Archival pigment printing on linen dry-mounted on Alu-Dibond
226 x 150 cm
Simon Lee Gallery Contact Gallery
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