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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Frieze Week Lowdown: London Shows to See Ocula Report Frieze Week Lowdown: London Shows to See 20 Sep 2019 : Tessa Moldan for Ocula

London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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João Penalva

b. 1949, Portugal

Browse Artworks

Looking up in Osaka Minamisemba 1 cho-me by João Penalva contemporary artwork
João PenalvaLooking up in Osaka Minamisemba 1 cho-me, 2005–2006 Archival pigment print on Innova Smooth Cotton High White 315 gsm paper, dry-mounted on Alu Reynobond, acrylic glass, oak frame, unique
202.7 x 152.7 x 5.7 cm
Simon Lee Gallery
Three lightbulbs, red, blue, and green by João Penalva contemporary artwork
João PenalvaThree lightbulbs, red, blue, and green, 2003 Chromogenic print dry-mounted on Alu-Dibond, card, oak frame and museum glass
128 x 102 x 5 cm
Galerie Thomas Schulte
Modern Toys by João Penalva contemporary artwork
João PenalvaModern Toys, 2011 Two parts work. Part 1: silver bromide print on Ilford Warm Tone Glossy fibre paper. Part 2: pigment print on Hahnemühle Photo Rag 310g paper
Galerie Thomas Schulte
Display Stand, Sarkin Bequest no. 30 SD by João Penalva contemporary artwork
João PenalvaDisplay Stand, Sarkin Bequest no. 30 SD, 2011 Two parts. Part 1: silver bromide print on Ilford Warm Tone Glossy fiber paper mounted on Dibond, maple frame, oak frame, museum board. Part 2: pigment print on Hahnemühle Photo Rag mounted on Dibond
Galerie Thomas Schulte
Display (shoes) by João Penalva contemporary artwork
João PenalvaDisplay (shoes), 2011 Silver bromide print on Ilford Glossy fibre paper mounted on Dibond, maple frame, museum board, museum glass
137.6 x 96.6 x 4 cm (incl frame)
Galerie Thomas Schulte
Display (rugs) by João Penalva contemporary artwork
João PenalvaDisplay (rugs), 2011 Silver bromide print on Ilford Glossy fibre paper mounted on Dibond, maple frame, museum board, museum glass
137.6 x 96.6 x 4 cm
Galerie Thomas Schulte
Light beam by João Penalva contemporary artwork
João PenalvaLight beam, 2007 Video projection, colour, silent, 4 min. loop
Galerie Thomas Schulte
Yusuke´s Sheepskin Coat by João Penalva contemporary artwork
João PenalvaYusuke´s Sheepskin Coat, 2006 Pigment print on Innova Natural White paper 310g dry-mounted on Dibond, paint, oak frames and acrylic glass
230 x 152 cm
Galerie Thomas Schulte
They are Nobodies, only stuntmen by João Penalva contemporary artwork
João PenalvaThey are Nobodies, only stuntmen, 2006 Pigment print on Innova Natural White paper 310g dry-mounted on Dibond, paint, oak frames and acrylic glass
230 x 152 cm
Galerie Thomas Schulte
As if she could see him by João Penalva contemporary artwork
João PenalvaAs if she could see him, 2011 Pigment prints on Hahnemühle Photo Rag paper mounted on Dibond, museum board, oak frames, museum glass
128.5 x 81 x 4 cm (incl frame)
Galerie Thomas Schulte
Gioia by João Penalva contemporary artwork
João PenalvaGioia, 2017 UV printing on cotton canvas, acrylic paint, oil pastel, cotton and synthetic sewing thread, plastic and hand-painted oak frame
172 x 135 cm
Galeria Filomena Soares
Master Nanyo’s two cats by João Penalva contemporary artwork
João PenalvaMaster Nanyo’s two cats, 2006 Unique Piezo print on Inova paper 320g dry mounted on aluminium, acrylic glass and maple frame
203.3 x 153.3 cm
Galeria Filomena Soares
Large Hiroshima weed (Solarised Blue) by João Penalva contemporary artwork
João PenalvaLarge Hiroshima weed (Solarised Blue), 2017 Pigment print on hahnemühle photo rag white 310g mounted on dibond, oak frame and acrylic glass
151.7 x 124.2 cm
Galeria Filomena Soares
Vase by João Penalva contemporary artwork
João PenalvaVase, 2010 Pigment prints on Hahnemühle Photo Rag White 310g mounted on Dibond, paint, lacquered maple and waxed oak frames and Plexiglass
Galeria Filomena Soares
W2 2DS by João Penalva contemporary artwork
João PenalvaW2 2DS, 2015 Archival pigment printing on linen dry-mounted on Alu-Dibond
226 x 150 cm
Simon Lee Gallery
Michio Harada, Shibuya no.1, 1978 by João Penalva contemporary artwork
João PenalvaMichio Harada, Shibuya no.1, 1978, 2015 Silver gelatin print, card, museum glass and ramin frame
53.5 x 41 cm
Simon Lee Gallery
Michio Harada, Tsukiji Fish Market no.5, 1972 by João Penalva contemporary artwork
João PenalvaMichio Harada, Tsukiji Fish Market no.5, 1972, 2015 Silver gelatin print, card, museum glass and ramin frame
53 x 39.6 cm
Simon Lee Gallery
Michio Harada, Tsukiji Fish Market no.3, 1972 by João Penalva contemporary artwork
João PenalvaMichio Harada, Tsukiji Fish Market no.3, 1972, 2015 Silver gelatin print, card, museum glass and ramin frame
34.2 x 41.7 cm
Simon Lee Gallery
Michio Harada, Kokusho-ji Temple, Sataima-ken no.6, 1966 by João Penalva contemporary artwork
João PenalvaMichio Harada, Kokusho-ji Temple, Sataima-ken no.6, 1966, 2015 Silver gelatin print, card, museum glass and ramin frame
40.7 x 50 cm
Simon Lee Gallery
Michio Harada, Koichikawa Botanical Gardens no.1, 1971 by João Penalva contemporary artwork
João PenalvaMichio Harada, Koichikawa Botanical Gardens no.1, 1971, 2015 Silver gelatin print, card, museum glass and ramin frame
48.7 x 36.3 cm
Simon Lee Gallery
W2 2BS by João Penalva contemporary artwork
João PenalvaW2 2BS Archival pigment printing on linen dry-mounted on Alu-Dibond
226 x 150 cm
Simon Lee Gallery
W1H 4LL (2) by João Penalva contemporary artwork
João PenalvaW1H 4LL (2), 2015 Archival pigment printing on linen dry-mounted on Alu-Dibond
226 x 150 cm
Simon Lee Gallery
W2 2DS by João Penalva contemporary artwork
João PenalvaW2 2DS, 2015 Archival pigment printing on linen dry-mounted on Alu-Dibond
226 x 150 cm
Simon Lee Gallery
W1W 8QN by João Penalva contemporary artwork
João PenalvaW1W 8QN, 2015 Archival pigment printing on linen dry-mounted on Alu-Dibond
226 x 150 cm
Simon Lee Gallery
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