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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Related Press

The Meaning of the Moon, From the Incas to the Space Race Related Press The Meaning of the Moon, From the Incas to the Space Race The New York Times : 12 September 2018

COPENHAGEN — Outside Denmark's Louisiana Museum of Modern Art on a recent late-summer morning, a few sunstruck visitors were sprawling on the turf of the sculpture garden, between monumental outdoor works by Alexander Calder and Richard Serra.

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Elif Shafak joins Future Library, writing piece to be unveiled in 2114 Related Press Elif Shafak joins Future Library, writing piece to be unveiled in 2114 The Guardian : 27 October 2017

The Turkish novelist Elif Shafak is to follow Margaret Atwood, David Mitchell and Sjón as one of the 100 contributors to the Future Library, an art project that will only be seen by readers in 2114, when the spruce trees to make its paper have been fully grown.

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A Certain Kind of Light review – let there be mirror balls Related Press A Certain Kind of Light review – let there be mirror balls The Guardian : 29 January 2017

A show about light: a light show – what might a curator put in? Just about all art concerned with making the world visible in some sense speaks of light, the very condition in which it was made.

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Katie Paterson: The Poetry of Scale Related Press Katie Paterson: The Poetry of Scale Aesthetica Magazine : 8 November 2016

Glasgow-born visual artist Katie Paterson has created over 20 major projects which carve a new poetic language based upon distance, scale, geology and technology. Locus+ and Kerber Verlag have published the first monograph dedicated to her work, with critical texts from Nicolas Bourriaud, Lisa Le Feuvre, Mary Jane Jacob and Lars Bang Larsen,...

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Gwangju Biennale art festival to open next week Related Press Gwangju Biennale art festival to open next week The Korea Times : 30 August 2016

The opening ceremony of the 2016 Gwangju Biennale, Asia's oldest contemporary art biennale, is set to kick off in the southwest city of Gwangju next week, the festival's foundation said Friday.During the ceremony, set to start at the plaza in front of the Gwangju Biennale Exhibition Halo at 6:40 p.m. Thursday, Park Yang-woo, chief of...

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The 11th Gwangju Biennale: An interview with Maria Lind, artistic director, and Michelle Wong, assistant curator Related Press The 11th Gwangju Biennale: An interview with Maria Lind, artistic director, and Michelle Wong, assistant curator My Art Guides : 29 August 2016

Could you tell us something more about the concept The Eight Climate (What does art do?), this year’s biennial theme?Maria Lind: Imagine that you are walking on a ramp leading from one floor to the next in a big exhibition space. In the corner of your eye you notice something on the long smooth white wall: in one place it looks like...

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The intangible art of gimjang Related Press The intangible art of gimjang Art Review : 29 August 2016

About two months ago, T and I went to Southwest London’s K-Town (otherwise known as New Malden, an area that has one of the largest communities of expat Koreans in Europe) in search of pickles. As we were exploring our way through plates of assorted preserved vegetables, with staff and fellow diners eyeing our particular menu choices, one...

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Fitting the entire universe into an art gallery Related Press Fitting the entire universe into an art gallery Apollo : 26 May 2016

07757 001122. Visitors entering the upper gallery at the Lowry in Salford are greeted by a neon mobile phone number that was once connected to the Vatnajökull glacier in Iceland. Nearby headphones play the trickling sounds of melting ice and creaking noises that reveal the strain and tension in the heart of the glacier. A vitrine conserves the...

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Sharjah’s 'Light Show' sees light in a different dimension Related Press Sharjah’s 'Light Show' sees light in a different dimension The National : 24 September 2015

A world-class art exhibition, spanning five decades of works, is an illuminating experience for visitors in Sharjah. Light Show, at Sharjah Art Foundation which runs until December 5, presents light used in sculptures, as installation, as pure colour and even as optical illusion.Light Show is a travelling exhibition that began in London’s...

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Katie Paterson, artist: 'I do not want to re-create. I want to be doing the next thing' Related Press Katie Paterson, artist: 'I do not want to re-create. I want to be doing the next thing' Independent : 31 July 2014

Katie Paterson and her fiancé, fellow artist Martin John Callanan, live in the increasingly trendy Kreuzberg area of Berlin. Their studio is above their apartment, which they share with their two cats, Missy and Toro.'It is my first studio,' says Paterson proudly. 'I somehow got it in my head that because of the work I do I did not need a studio,...

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