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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Related Press

Sharjah’s 'Light Show' sees light in a different dimension

Anna Seaman The National 24 September 2015
Torso (2007) by Jenny Holzer. Photo: Sarah Dea / The National

A world-class art exhibition, spanning five decades of works, is an illuminating experience for visitors in Sharjah. Light Show, at Sharjah Art Foundation which runs until December 5, presents light used in sculptures, as installation, as pure colour and even as optical illusion.

Light Show is a travelling exhibition that began in London’s Hayward Gallery in 2013. The original idea, says Cliff Lauson, the show’s curator, was to focus on “light as a sculptural object, and how it commands space”, as well as the “ingrained physiological responses” we have to light. 

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