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Emi Eu: ‘We have to look at Southeast Asia as one market’ Ocula Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ Stephanie Bailey, Singapore

STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.

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New Delhi, Mumbai, Kolkata: Shows to See Ocula Report New Delhi, Mumbai, Kolkata: Shows to See Kanika Anand, New Delhi

With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.

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Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin

Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.

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HomePage Artists

b. 1979, China

Liang Yue Biography

Liang Yue's photographic work negotiates the complex symbolic terrain between the exterior and interior, memory and reality and the public and the private. Her open-ended series of photos Several Dusks (2003) and Lily's Afternoon (2003) focus on moments drawn from ordinary life. Yet, a sense of foreboding pervades all of them. Liang Yue observes and elaborates on a uniquely ambiguous, uneasy assortment of public spaces in Shanghai, but with a detached viewpoint. The images are shot just before nightfall and are linked to an elusive time and the question of presence. The snapshot aesthetic makes it difficult to think of it as specific to a single place. The recurring images are a partial and instant view of the city. Her scenes of distant frenzy co-mingle possibility and problem, and leave the viewer uncertain about their specific mood and theme. The contrast between familiarity and strangeness is highlighted, and it is precisely this feeling of contradiction that makes her photos so fascinating and attractive.

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Liang Yue's recent work also straddles the line between the inclusive and introvert. Photos from In Summer (2005) and On the Bridge (2006) are shot in the context of the poetic impossible rather than the metropolitan. Here, the images are devoid of human beings. What we see are empty streets and unoccupied interiors without any visual over-saturation. Liang Yue opens a vast realm of associations, therefore collapsing the notion of one specific and determinate meaning. The Untitled Red (2005) series is comprised of monochromatic red-tone photographs that, at a glance, walk a fine line between concreteness and abstraction. Yet, the difficulty in reading these images owes less to any inherent formal opacity than a kind of counterintuitive distancing effect. 

Liang Yue was born in Shanghai in 1979. She graduated from the Shanghai Art Academy in 2001. Today she lives and works in Shanghai. Recent exhibitions include Numerous, Liang Yue's Solo Exhibition, Shanghai (2011); Move on Asia, the End of Video Art, Casa Asia-Barcelona, Barcelona, Spain (2011); Shanghai Candid: Women In Motion, San Francisco Arts Commission Gallery, U.S.A. (2010); China Power Station - Part IV, Pinacoteca Agnelli, Torino, Italy (2010); Shanghai Kino, Shanghai Kino, KUNSTHALLE BERN, Switzerland (2009); China Power Station: Part II, Astrup Fearnley Museum of Modern Art, Oslo, Norway (2007); China Power Station: Part I., Battersea Power Station, London, U.K. (2006); The Thirteen: Chinese Video Now, PS1 Contemporary Art Center, New York, U.S.A. (2006); China Contemporary – Architecture, Art and Visual Culture, Netherlands Photo Museum, Rotterdam, Netherlands (2006); Restless – Photography and New Media, Museum of Contemporary Art, Shanghai (2006); Stop Dazing, BizArt, Shanghai (2005); Conceptual Photography from the Peoples Republic of China, Museum of Contemporary Art, Denver, U.S.A. and China Now, MoMA Film at the Gramercy Theatre, New York, U.S.A.(2004).

Liang Yue Featured Artworks

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Mind Rehearsal by Liang Yue contemporary artwork
Liang YueMind Rehearsal, 2018Single-channel video. Sound, color, HD. 26 minutes 37 seconds
ShanghART Enquire about this work
Koi Fish 锦鲤 by Liang Yue contemporary artwork
Liang YueKoi Fish 锦鲤, 2018Single-channel video. Sound, color, HD. 13 minutes 5 seconds
ShanghART Enquire about this work
Giant Fur 巨大的毛发 by Liang Yue contemporary artwork
Liang YueGiant Fur 巨大的毛发, 2018Single-channel video. Sound, color, HD. 4 minutes 40 seconds
ShanghART Enquire about this work
C0071 by Liang Yue contemporary artwork
Liang YueC0071, 2016Single-channel video. Sound, color, HD. 13 minutes
ShanghART Enquire about this work
2013/04A by Liang Yue contemporary artwork
Liang Yue2013/04A, 2013B&W hand-made gelatin silver print
ShanghART Enquire about this work
2012/09/A-01 by Liang Yue contemporary artwork
Liang Yue2012/09/A-01, 2012B&w hand-made gelatin silver print
52 x 70 x 3 cm
ShanghART Enquire about this work
Between the Islands NO.2 by Liang Yue contemporary artwork
Liang YueBetween the Islands NO.2, 2012Black and white hand-made gelatin silver print
50 x 60 x 3 cm
ShanghART Enquire about this work

Liang Yue Recent Exhibitions

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Contemporary art exhibition, Liang Yue, Mind Rehearsal at ShanghART, Shanghai
Closed
7 September–7 October 2019 Liang Yue Mind Rehearsal ShanghART, Westbund, Shanghai
Contemporary art exhibition, Group exhibition, Side Lanes 辅路 at ShanghART, Shanghai
Closed
18 January–24 February 2019 Group exhibition Side Lanes 辅路 ShanghART, Westbund, Shanghai

Liang Yue Represented By

Liang Yue In Related Press

'Mountain Sites: Views of Laoshan' at Sifang Art Museum Related Press 'Mountain Sites: Views of Laoshan' at Sifang Art Museum 18 July 2016, ArtAsiaPacific

Set in verdant woodland a group of luxury villas are like architectural jewels scattered around a lake. Contrasting these villas the strange form of the five-year-old Sifang Art Museum, designed by Steven Holl, is an alien presence overlooking the scene. In this contemporary paradise it is hard to imagine the lifestyles of people dwelling in these...

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