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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami and Tobias Berger Talk Murakami Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami and Tobias Berger Talk Murakami

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Related Press

'Digging a Hole in China': exploring Land Art in the context of Chinese contemporary art

Nooshfar Afnan Art Radar 21 April 2016
Lin Yilin, Whose Land? Whose Art?, 2010, Video, 50 min. Image courtesy the artist and OCAT Shenzhen.

Land is the subject of a large-scale show at OCAT Shenzhen entitled Digging a Hole in China (20 March – 26 June 2016) which features a variety of media and works by over a dozen contemporary Chinese artists executed from 1994 onwards. In this inaugural show at OCAT Shenzhen, since her appointment as Artistic Director in August 2015, curator Venus Lau, tries to analyse how works by Chinese contemporary artists that are connected to the land, differ from works seen as part of the land art movement of the West that started in the late 1960s. Through this exhibition she plans to “expose and analyze the discrepancies between this genre of work and ‘conventional’ land art… thereby probing the potential of ‘land’ – as a cultural and political concept – in artistic practice”.

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