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b. 1966, Brazil

Lucia Koch Biography

Describing her artworks as 'architectural interventions', Brazilian artist Lúcia Koch uses sculpture, photography, video, and colour filters to alter the viewer's sense of space and scale. She began creating these interventions within domestic spaces in the early 1990s, and later moved to installations within art institutions that often epmhasise existing architectural features.

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Koch is perhaps best known for her use of transparent acrylic coloured sheets or Plexiglas colour correction filters to play with light and colour. For the Sharjah Biennial 11 in 2013, Koch constructed a roof-like structure from 68 filter panels in the empty courtyard of a house in Sharjah's Heritage Area. Titled Conversion, the panels were in a range of colours such as muted yellows, oranges, reds, blues, and pinks, with adjustable steel frames placed at various angles. The work played with the abundance of natural light in the courtyard, fragmenting the space into squares of varying hues. The shapes that the colours made as light fell on the floor at certain times of day also recalled the unfurling of prayer mats next to each other during Muslim prayers. Koch placed similar filters inside the alcoves of the house itself, creating naturally powered 'lightboxes' of colour in the room.

In addition to investigating architectural boundaries in Plexiglas for Conversion, she has made similar explorations in silk. For La Temperatura del Aire, exhibited at Centro de Arte Contemporáneo de Caja de Burgos in Spain in 2015, Koch installed six silk curtains of various colour gradients in the gallery. These semi-walls swayed with the gentle breeze stirred by visitors who were invited to walk directly through the translucent layers. In this simple gesture, the artist made architectural boundaries fluid, delineating and re-defining the exhibition space.

Koch also uses photography to explore the boundaries of architecture. In her playful 'Fundos' series (2001–ongoing), the artist photographs the insides of empty boxes, creating disorienting and uncanny images that resemble life-size rooms. In Vinho Duplo (Double Wine) (2003), for example, the two holes in the box's 'ceiling'—originally intended to provide a view of the wine the container used to hold—now read as skylights in a small room. For the exhibition Schaurausch at OK Centrum, Linz Austri, Koch printed the photographs Lâmpada aberta (2004) and Lâmpada fechada (2001) from the 'Fundos' series at four metres tall. She then attached the reproductions to a building façade so that the box-spaces became life-size and appeared as though they were inhabitable rooms. Unlike other artists who photograph architectural models, such as Anna Carey's Californian motels or James Casebere's re-enactments of the iconic designs of Mexican architect Luis Barragán, Koch does not challenge the materiality of her miniature worlds. Instead of turning the box into a house, she explores how the box is already a house.

Koch lives and works in São Paulo.

Casey Carsel | Ocula | 2019

Lucia Koch Featured Artworks

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Helmet_3 by Lucia Koch contemporary artwork photography
Lucia KochHelmet_3, 2020Pigment print on cotton paper, UV matte laminate
110 x 176 cm
Galeria Nara Roesler Contact Gallery
Helmet_2 by Lucia Koch contemporary artwork works on paper, print
Lucia KochHelmet_2, 2020Pigment print on cotton paper, UV matte laminate
110 x 172 cm
Galeria Nara Roesler Contact Gallery
Goods by Lucia Koch contemporary artwork print
Lucia KochGoods, 2020Pigment print on cotton paper, UV matte laminate
110 x 190 cm
Galeria Nara Roesler Contact Gallery
Toy by Lucia Koch contemporary artwork print
Lucia KochToy, 2017Pigment print on cotton paper
240 x 135 cm
Galeria Nara Roesler Contact Gallery
Carta Bastarda by Lucia Koch contemporary artwork sculpture
Lucia KochCarta Bastarda, 2019Colour filters and metal frames
160 x 185 x 5.5 cm
Galeria Nara Roesler Contact Gallery
Carta by Lucia Koch contemporary artwork sculpture
Lucia KochCarta, 2019Colour filters and metal frames
160 x 185 x 5.5 cm
Galeria Nara Roesler Contact Gallery
Turbilhão by Lucia Koch contemporary artwork sculpture
Lucia KochTurbilhão, 2019Caxeta hardwood and metal
239 x 380 cm
Galeria Nara Roesler Contact Gallery
Shimokawa Dental Clinic, from the series Architecture samples by Lucia Koch contemporary artwork works on paper
Lucia KochShimokawa Dental Clinic, from the series Architecture samples, 2010Print on cotton paper
63 x 104 cm
Galeria Nara Roesler Contact Gallery

Lucia Koch Recent Exhibitions

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Lucia Koch Represented By

Galeria Nara Roesler contemporary art gallery in São Paulo, Brazil Galeria Nara Roesler New York, Rio de Janeiro, São Paulo

Lucia Koch In Related Press

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Lucia Koch by Mário Ramiro Related Press Lucia Koch by Mário Ramiro 21 January 2019, BOMB

There was a point where Lucia Koch was disturbed by the fact that most approaches to her works took them only as expressions of atmospheric changes on spaces and the alterations that light, modulated

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Human Ecology at Galeria Nara Roesler, New York Related Press Human Ecology at Galeria Nara Roesler, New York 22 September 2016, Aesthetica Magazine

Stones against diamonds (ice cave), Isaac Julien’s 2015 film, would also be a good concept for a fashion shoot. It is set in an environment where water curls slowly around smooth pillows of ice. A woman with a shaved head and a serious face wanders through a glacial cave out onto a beach of black sand studded with stones and ice chunks. The...

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Prospect 3: The other Biennial Related Press Prospect 3: The "other" Biennial 23 January 2015, Rebecca Lee Reynolds for Burnaway / 15 January 2015

Prospect.3 curator Franklin Sirmans has put forth the exhibition’s theme in the question: how does one get to know the other? The implicit answer is: through art. Globalization is a key theme, with artists from East Asia, India and Southeast Asia, Africa, Latin America, and, of course, New Orleans, as well as the expected American and...

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Galeria Nara Roesler At Art Basel Miami Beach 2014 Related Press Galeria Nara Roesler At Art Basel Miami Beach 2014

Ocula’s photographer Charles Roussel visited Galeria Nara Roesler's booth (B29) at Art Basel Miami Beach. They brought works to the fair by Marcos Chaves, Lucia Koch, Artur Lescher, Cao Guimarães, Milton Machado and Paulo Bruscky.

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