Jonathas de Andrade, O Levante (The Uprising), 2012-13, performance documentation in Recife, where horse carts are banned. Courtesy: the artist, Alexander and Bonin, New York, and Galeria Vermelho, São Paulo.
Given the current political climate, we here at frieze have been reflecting on the role of art in responding to conflict. With this in mind, we invited a cross-section of artists, curators and writers to answer two deceptively simple questions: ‘How important is art as a form of protest?’ and ‘How effective is it as a conduit of change?’ Responses could take the form of a statement, an image, a film or a combination of all three. The submissions, by more than 50 respondents from over 30 countries are provocative and enlightening. Further contributions to the print version are included here, from around the world.