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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Related Press

Spotlight On Mary Corse

Sam Cochran Architectural Digest First published on 25 January 2018

Mary Corse. Courtesy Architectural Digest. Photo: Joao Canziani.

Nestled in a canyon on the outskirts of Los Angeles, artist Mary Corse’s house and studio are a short drive—but a world away—from the city’s hustle and bustle. Cell service cuts out en route to her home, which is reached via a single-lane bridge and winding dirt road. Neighbors are few and far between, affording Corse ample room to paint in private. Which is what she’s been doing—quietly, steadily—for more than five decades, building an important body of work while innovating on pace with established pioneers of the Light and Space movement. This May, however, she will take an overdue step center stage, with a long-term installation at Dia:Beacon and a debut show at London’s Lisson Gallery, followed by her first solo museum survey at the Whitney in June.

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