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Ocula ReportIranian Art at LACMA: In the Fields of Empty Days12 Jun 2018 : Perwana Nazif for Ocula{{document.location.href}}
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art at the Los Angeles County Museum of Art (LACMA, 6 May–9 September 2018), explores 'the continuous and inescapable presence of the past in Iranian society.' Curated by Linda Komaroff, curator of Islamic art and head of LACMA's Art of the Middle East department, the...
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Ocula ConversationLaure Prouvost{{document.location.href}}
Laure Prouvost's most recent exhibition in New York at Lisson Gallery (9 March–14 April 2018) was a gesamtkunstwerk of sorts. The show spread through the entire 10th Avenue gallery space and included two years of artistic production: installation, sculpture, painting, textile, sound and moving image. Uncle's Travel Agency Franchise, Deep Travel...
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Ocula ReportDak’Art Biennale 2018: The Red Hour1 Jun 2018 : Federica Bueti for Ocula{{document.location.href}}
On my last evening in Dakar, I made my way to Yarakh, a neighbourhood on the eastern side of the Senegalese capital, where I was guided down a narrow sandy path toward a beach where a group of actors, artists, and locals were taking part in or attending the performance Xeex Bi Du Jeex (a luta continua). The play was written collaboratively in 2018...
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Michael Chow, A.K.A. Yinghua, was born in Shanghai China 1939. Son of the famed master of Beijing Opera, Zhou Xinfang, Yinghua was born into a family of theater. At the age of 13, he traveled to England to study art and architecture at St Martins School of Art and the Hammersmith School of Art and Building (now Chelsea School of Art), respectively.

After a decade as a young painter, Yinghua found that neither he nor the world was quite ready to share in his gifts and so took a short hiatus to collect his thoughts. Nearly half a century later in 2011, Yinghua returned to his true passion, with the enthusiasm of his youth and the wisdom of his age.

In June 2012, lightning struck in the form of pure silver. Precious metal tiles simultaneously stretched, welded, painted and sculpted create 3 dimensional paintings that shift and change at every angle. His mixed media pieces, where precious metal is juxtaposed with trash, forces the viewer to reassess preconceptions about what is precious and what is thrown away. For Yinghua, the act of painting is an internal desire to channel the chaos and harmony of nature in order to achieve clarity. It only took a moment and a lifetime.

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