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LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

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Related Press

Art World Abstracts: Ferguson'S Street Art In The Spotlight

Alanna Martinez for the New York Observer 26 November 2014

The decision not to indict Darren Wilson the white police officer who shot a black unarmed teen named Michael Brown three months ago in Ferguson, Missouri has rocked the country in the few hours since its announcement, with demonstrations erupting from Ferguson to Union Square in Manhattan. This is much more than an art news story, but the public art that has grown in response to the events of the last few months is undeniably powerful and ever present in photographs coming from the area. Mic’s Zak Cheney-Rice put the spotlight on 29-year-old East St. Louis-born artist Damon Davis yesterday; he has been plastering photographs of “hands up” (a symbolic reference to the raised hands of unarmed Mr. Brown) along the boarded up buildings on West Florissant Avenue, each time gaining the permission of the business owner before posting his artwork, in a series called “All Hands on Deck.”

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