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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami and Tobias Berger Talk Murakami Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami and Tobias Berger Talk Murakami

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Nam June Paik

(1932 - 2006), South Korea

Related Press

Nam June Paik has the last laugh

Jeff Michael Hammond The Japan Times First published on 13 September 2016
Nam June Paik, Forest of Cage — Revelation of the Forest, 1993. Photo: Tadashi Okakura.

Rapid, multilayered, fluid — the high-tech images created by Nam June Paik earned him the epithet the Father of Video Art. He may be most often associated with banks of television screens and intense, distorted video images, but as a new retrospective of his work at the Watarium (The Watari Museum of Contemporary Art) in Tokyo highlights, there was more to Paik’s art than a fascination with technology.

The 10th Anniversary Retrospective of Nam June Paik — 2020: Who is the One Grinning ?+?=??, showcases the South Korean-born artist’s videos, sketches, paintings, posters and plans of unrealized projects a decade after his death at the age of 73. With all works drawn from the museum’s collection, the Watarium’s connection with the artist goes back as far as 1978, when Paik held an exhibition at the predecessor to the museum, Galerie Watari.

READ MORE ON japantimes.co.jp

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