Pamela Rosenkranz (*1979 in Uri, Switzerland) lives and works in Zurich. She has held solo exhibitions at institutions including GAMeC, Bergamo (upcoming); Cisterna, Fondazione Prada, Milan (both 2017); the Swiss Pavilion at 56th International Art Exhibition, Venice Biennale (2015); Kunsthalle Basel (2012); Centre d’Art Contemporain, Geneva (2010); Swiss Institute, Venice (2009). Selected group exhibitions include The Garden, Aros Museum of Modern Art, Aarhus, (2017); Wirkuta (Mexican Time-Slip), Museo Espacio, Aguascalientes, Mexico; Dreaming Mirrors Dreaming Screens, Sprüth Magers, Berlin (all 2016); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Inhuman, Fridericianum, Kassel (2014); Think First, Shoot Later: Photograhy from the MCA Collection, Museum of Contemporary Art, Chicago; and EXPO1: New York, MOMA PS1, New York, (both 2013).
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Somewhere in the galleries at Sprüth Magers in Berlin a cat is mewing. As you enter Pamela Rosenkranz’s new exhibition — through a portal-like room filled with a strange blue light — you won’t know it
Within the perimeter of the Largo Isarco's complex exists two freestanding structures: one flat and square and the second more vertical. The freestanding object to the east of the Great Hall, dubbed t
Franklin Melendez, a writer and independent curator based in the San Francisco Bay area, is the creative director behind Simon Lee Hong Kong’s recent group show '1000 Islands'. Impressed by the thematic cohesion despite a diversity of subject matter achieved in this exhibit, I turned to Melendez to learn more about his curatorial...