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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Regina Jose Galindo

b. 1974, Guatemala

Related Press

'Why Not Ask Again' / 11th Shanghai Biennale

Andrew Stooke Flash Art First published on 21 November 2016
Wang Haichuan, Seven Days (2013). Courtesy the Artist and Power Station of Art, Shanghai via. Flash Art.

In the Chinese philosophical system known as feng shui, literally wind and water, qi, the metaphysical force of unity, is carried and dispersed on the wind. Water brings qi to rest. In the 11th Shanghai Biennale there are many such light breezes, enhancing works that play on all the senses.

These include Yin Yi’s Ocean Wave (2016), a tight cluster of electric fans at the entrance that rhythmically switch on and off. The image of water, in the form of the video Flag (Thames) (2016), turns out to be fake; it is a year-long computer simulation in which the artist, John Gerrard, has included a large patch of iridescent oil that smothers the restlessly moving surface.

READ MORE ON flashartonline.com

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