Shane Cotton is one of New Zealand’s leading and most celebrated contemporary artists. He was born in Upper Hutt, New Zealand in 1964, and has a BFA from the University of Canterbury in Christchurch, New Zealand, and was a lecturer in the Maori Visual Arts Programme at Massey University until 2005.Read More
Of dual Maori (Ngati Rangi, Ngati Hine, Te Uri Taniwha) and Pakeha (European (mostly British settlers) descent, his iconography borrows widely from both Pakeha and Maori historical sources. Cotton employs a complex set of symbols across his works to speak to the contemporary issues of colonisation, cross-cultural exchange, identity and spirituality.
Shane Cotton is key to a generation of young Maori artists who came to prominence in the 1990s for their innovative use of non-traditional materials and processes, while directly addressing concerns of importance to Maori. This generation, including his colleagues Michael Parekowhai and Peter Robinson, challenged the status of Maori within New Zealand.
Cotton’s characteristic flattened picture plane allows for complex topographies which also refer to layered and shifting understandings of the land. In particular, he refers to land ownership and differing understandings of the natural world: from European concepts of the land as something to be divided and sold as property, or for the purpose of economic production, to the earth possessing a spirit in Maori cosmology.
Cotton first established a visual vocabulary in the 1990s that he has gone on to rework inventively for several decades. Recurring motifs include ships, stars, flags, potted plants, birds, chairs, tea pots, cups and architectural structures, evidence of the artist’s interest in the fertile tensions at play in interactions between the native and the introduced, the colonised and the coloniser.
Cotton’s work has been included in many international projects such as Turbulence, The 3rd Auckland Triennial (2007), Paradise Now? Contemporary Art from the Pacific, Asia Society Museum, New York (2004), and he was New Zealand’s representative at the Prague Biennial in 2005. His work was surveyed in a major retrospective exhibition at City Gallery Wellington and Auckland Art Gallery in 2003. He has also received numerous awards, notably the Frances Hodgkins Fellowship (1998), made a Laureate of the Arts Foundation of New Zealand (2008), and received an ONZM for services to the Visual arts in the 2012 Queen's Birthday Honours. Cotton lives and works in Palmerston North, New Zealand.
When Silence Falls Art Gallery of New South Wales, Sydney 19 December 2015 - 1 May 2016 Currently showing in the contemporary galleries of the Art Gallery of New South Wales, When Silence Falls is a collection-based, group exhibition curated by AGNSW curator of Aboriginal and Torres Strait Islander art, Cara Pinchbeck....
Auckland Art Fair puts the spotlight on this city as a place to see the best in contemporary art from the Pacific Rim. Dionne Christian asks some of the artists what 'place' means to them — in particular the space they work in.
In the Christmas flourish of exhibitions one of the biggest names is Shane Cotton. His show called Blank Geometry is at the Michael Lett gallery. It is an exhibition that does not aim at grandeur but rather a quiet tracing of ideas. The work is of modest size and though everything is done with a subtle skill, the subject is very open.