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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Related Press

'Where can the dust alight' at Pace, Hong Kong

First published on 11 November 2016
Exhibition view of “Where Can the Dust Alight” at Pace Hong Kong, 2016. Courtesy Pace Hong Kong. 

A group exhibition at Pace Hong Kong borrows its name from a 7th century stanza by the Buddhist monk Hui-neng, which embodies the Buddhist core philosophy of constant reflection, but also the notion of life without meaning, within a few profound words: “There is no Bodhi tree/Nor stand of a mirror bright/Since all is void/Where can the dust alight?” Such an esoteric statement opens up to various interpretations and entry points; yet in the same vein, it offers the premise for the show. The five artists included in the exhibition were brought together—as stated in the press release—to create dialogue around 'nothingness' and 'emptiness', and to translate that into visual, contemporary forms.  

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