'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...
There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
In LA, everyone’s Marlon Brando’s gardener. Cruising through a city sold and resold as a promised land, we’ve nothing to guide us but our passions for prosperity, for fame, for space, for spirit. All of us here somehow find a place in the end, even if it’s only as workers in others’ gardens, Edens owned by those that cast our dreams in moving pictures and the developers that sell or rent us our own smallest bite of paradise.
Made in L.A. 2016 is almost explicitly not about Los Angeles, though the city’s still the set.
Kukje Gallery has been a pivotal cultural hub in Seoul, Korea since its inception in 1982. Kukje Gallery is located in the heart of Samcheong-dong, a historically and culturally significant district. The gallery boasts three unique buildings, each titled according to its age: K1, K2, and K3. K2 opened in 2007 to celebrate the gallery’s 25th anniversary, and K3 opened in 2012 to commemorate its 30th anniversary.
Committed to showcasing both international and Korean artists, Kukje is widely celebrated for its diverse and ambitious programming. Specializing in modern and contemporary art, Kukje is often the first venue in Korea to present prominent artists, and major exhibitions have been staged to introduce leading international artists such as Anthony Caro, Anselm Kiefer, Alexander Calder, Louise Bourgeois, Donald Judd, Anish Kapoor, Bill Viola, Roni Horn, Candida Höfer, Julian Opie, Paul McCarthy, Jenny Holzer, Eva Hesse and Jean-Michel Othoniel.
In conjunction with its focus on international artists, Kukje is committed to promoting Korean artists abroad, introducing artists such as Haegue Yang, Kimsooja, Gimhongsok, Kyungah Ham, Yeondoo Jung, Sora Kim and Jae-Eun Choi at major art fairs around the world. Just as importantly, Kukje has made a strong commitment to post-war Korean artists including Ha Chong-Hyun, Lee Ufan, Chung Chang-Sup, Kwon Young-Woo, Park Seo-Bo, and Chung Sang-Hwa. In particular, Kukje has played a critical role in introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitions.
These projects along with the gallery’s ambitious and scholarly exhibition catalogues and ongoing lecture series are what make Kukje a significant contributor in shaping Korea’s cultural landscape. Building on its unmatched reputation, Kukje continues to play a key role in developing the domestic art market as well as providing an important venue for introducing international trends.
Sprüth Magers has expanded from its roots in the Rhineland to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles–as well as an office in Cologne and an outpost in Hong Kong–Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.
The gallery emerged amid an extraordinary outburst in contemporary art that took place in Cologne in the early 1980s. Its first iteration as Monika Sprüth Gallery opened in 1983 with an exhibition of paintings by Andreas Schulze and was soon followed by exhibitions of Rosemarie Trockel and Peter Fischli David Weiss. Over the next few years George Condo, Jenny Holzer, Barbara Kruger, Louise Lawler and Cindy Sherman all showed at the gallery and have continued to do so for the last thirty years. In 1992 a second gallery opened in Cologne under the name of Philomene Magers. Early exhibitions included Ad Reinhardt’s Black Paintings, Robert Morris’s felt pieces and John Baldessari’s photographs and text paintings from the 1960s. The two galleries merged into a single entity in 1998 and in 2000 the Munich space opened with Ed Ruscha’s exhibition Gunpowder and Stains.
In 2003 Sprüth Magers Lee opened in London with an exhibition of works by Donald Judd. In 2007 Sprüth Magers relocated to Grafton Street, Mayfair; on show was a selection of new photographs by Andreas Gursky. In 2008 the gallery established its flagship space in a former dancehall in Berlin Mitte–not far from the city’s Museum Island. The gallery debuted with Thomas Scheibitz and George Condo.
The latest chapter in the gallery’s history came to fruition in February 2016, with the launch of its space in Los Angeles. Located on Wilshire Boulevard, just across the road from LACMA, it is housed in a two-storey building designed in the late 1960s by legendary West Coast architects William L. Pereira & Associates. It was originally created as part of a complex completed in 1971 that includes the tallest building of the Miracle Mile district, a plaza and reflection pool. The 14,000 square foot space was remodeled as a gallery by the London-based architect Andreas Lechthaler and Berlin-based architect Botho von Senger und Etterlin. The interior features vintage furniture by female California-based designers.
Known for its rigorously curatorial approach to its program and for a deep and enduring devotion to the artists it represents, the gallery has, over the past three decades, fostered close and collaborative relationships with museums and curators worldwide. Meanwhile it continues its tradition of commissioning new scholarship and creating innovative books and publications.
Sprüth Magers now works with over 60 artists and estates. While continuing to work with mid-career artists such as Thomas Demand and Sterling Ruby, the gallery regularly broadens its program with up-and-coming younger artists such as Cyprien Gaillard, David Ostrowski, Michail Pirgelis, Analia Saban, Alexandre Singh and Ryan Trecartin and Lizzie Fitch. The program is rounded off with important and influential senior artists such as Reinhard Mucha, Frank Stella, the late Richard Artschwager, Hanne Darboven, Bernd & Hilla Becher and the Estates of Keith Arnatt and Craig Kauffman.
Taka Ishii Gallery opened in 1994 with an exhibition program devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice. The gallery has since exhibited and published the work of contemporary master Japanese and foreign artists as well as supported the development of younger artists.
In the winter of 2011, the gallery inaugurated Taka Ishii Gallery Photography / Film, a second exhibition space located in the Roppongi district of Tokyo. With this new exhibition space, the gallery serves as a forum for the presentation of a focused program considering the work of lesser-known pre and post-war Japanese photographers as well as a site for the exhibition of masterworks by historical and contemporary photographic masters from Japan and abroad.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.