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Jess Johnson: Worlds Within Worlds Ocula Conversation Jess Johnson: Worlds Within Worlds

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...

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Lagos Biennial 2019: Stories from Africa’s most Populous City Ocula Report Lagos Biennial 2019: Stories from Africa’s most Populous City 15 Nov 2019 : Jareh Das for Ocula

Under the artistic direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Tacita Dean

b. 1965, United Kingdom

Related Press

Tacita Dean on her three major London shows

Louisa Buck The Art Newspaper First published on 13 March 2018

Tacita Dean. Courtesy The Art Newspaper. Photo: © Jim Rakete.

Now, the full scope and richness of Dean’s work is to be revealed in three exhibitions, which mark a unique collaboration between three London museums. In its first exhibition devoted to the moving image, the National Portrait Gallery is showing her film portraits; the Royal Academy of Arts is inaugurating its new galleries in Burlington Gardens by exploring Dean’s wide use of landscape; and at the National Gallery, Dean is curating an exhibition of both historical and contemporary works, as well as showing four of her own films devoted to the genre of still life.

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