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Almine Rech-Picasso Goes Global Ocula Conversation Almine Rech-Picasso Goes Global

French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...

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From the Gallery to the Streets: Home Works 8 in Beirut Ocula Report From the Gallery to the Streets: Home Works 8 in Beirut 8 Nov 2019 : Nat Muller for Ocula

There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Tacita Dean

b. 1965, United Kingdom

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Tacita Dean’s meditations on a medium

Gabrielle Schwarz Apollo Magazine First published on 24 March 2018

Tacita Dean, Prisoner Pair (2008) (detail). © Tacita Dean. Courtesy Tacita Dean, Frith Street Gallery, London and Marian Goodman Gallery, New York/Paris.

Film–proper, old-fashioned analogue film, screened using one of those hulking projectors that generate nearly as much heat and sound as light–is Tacita Dean’s medium and, in many ways, her subject. Her current exhibition at the National Portrait Gallery (NPG) in London, the institution claims, holds the distinction of being its first ever show ‘to be devoted to the medium of film.’ It may come as a surprise, then, upon entering the exhibition, to find the walls of the space covered in photographs.

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