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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami and Tobias Berger Talk Murakami Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami and Tobias Berger Talk Murakami

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Related Press

Critic’s Guide: Hong Kong

Christie Lee Frieze First published on 21 March 2017

Su-Mei Tse, Gaëlle, 2015-17. Courtesy the artist and Edouard Malingue Gallery, Hong Kong.

Su-Mei Tse, Elegy, Edouard Malingue Gallery, 20 March–13 May.

As the title implies, Su-Mei Tse's latest exhibition has strong literary underpinnings. An elegy, a Greek metrical form used to commemorate the departed, is usually styled to mirror the three stages of loss: grief, admiration and solace. From Gaëlle (2015-17), a photograph of a trace of an armthat of a friend? A past lover?–to The Pond (2015), where a mulch of water lillies hangs ominously in murky water, the exhibition ruminates on loss, lapses of time, and how our experience of the latter could be shaped by the former.

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