Ocula MagazineContentsView All
Featured ContentView All
Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

Read More
Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

Read More
The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

Read More
Related Press

Your Guide to the Best Shows in Basel

Aoife Rosenmeyer Frieze First published on 11 June 2018

Bruce Nauman, Untitled (1967). Wax over plaster with rope. 43 x 66 x 11.5 cm. Courtesy: Daros Collection, Switzerland, © Bruce Nauman / 2018, ProLitteris, Zurich.

Bruce Nauman, 'Disappearing Acts'
Schaulager
17 March – 26 August

The Schaulager enjoys immense resources; its founder, Maja Oeri, a trustee of the Museum of Modern Art, New York, and a major donor to its collection, is honoured with a MoMA gallery in her name. Bruce Nauman's detailed survey exhibition, created in collaboration with that New York institution, where it will subsequently travel, is arguably the best use of the Schaulager's ample space and art historical means since the museum opened in 2003. In gallery after gallery of drawings, sculptures, installations, video and sound pieces and immersive environments, Nauman is revealed as a foresighted observer and actor in the art field, one who also maintained a healthy disregard for that world. Take away his material, and what does an artist do?

READ MORE ON frieze.com

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook