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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Related Press

At the Shanghai Biennale, a Desire to Disrupt the Status Quo

Bansie Vasvani Hyperallergic First published on 24 January 2017

Sun Yuan and Peng Yu, So Far, 2016. Image courtesy of Hyperallergic.

A gigantic metallic structure resembling a crashed airplane beckons from the second level of the vast Shanghai Power Station of Art that is host to the 11th edition of the Shanghai Biennale. Designed by the Chinese collective MouSen+MSG, the structure is titled The Great Chain of Being – Planet Trilogy (2016), and you can actually venture inside it. Embarking on a disorienting journey down a narrow, uneven pathway through dark cavernous spaces, you encounter a gigantic plant, robots, and ultimately a dystopic extraterrestrial world. The piece unsettles your perception, a running theme in this biennial, which is curated by Jeebesh Bagchi, Monica Narula, and Shuddhabrata Sengupta, the Indian trio comprising the Raqs Media Collective.

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