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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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William Kentridge

b. 1955, South Africa

Related Press

THAT WHICH WE DO NOT REMEMBER WILLIAM KENTRIDGE Related Press THAT WHICH WE DO NOT REMEMBER WILLIAM KENTRIDGE ArtAsiaPacific : 1 March 2019

As I looked through William Kentridge's That Which We Do Not Remember at Sydney's Art Gallery of New South Wales, led by the multimedia artist himself, it became increasingly apparent to me that Kentridge, often described as a distinctive and powerful voice in the global contemporary art realm, is both erudite and generous with his ideas.

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William Kentridge’s Real and Metaphorical Cages Illuminate a Protest on Deportation Related Press William Kentridge’s Real and Metaphorical Cages Illuminate a Protest on Deportation Hyperallergic : 16 August 2018

MILWAUKEE—The current William Kentridge exhibition at the Milwaukee Art Museum, More Sweetly Play the Dance, is an immersive 2015 installation: a 14-minute video loop projected on a series of eight screens, 130 feet long in total. The screens unfold like an accordion book, not quite aligning, leaving small gaps that create page breaks in the...

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William Kentridge and the forgotten victims of Africa’s Great War Related Press William Kentridge and the forgotten victims of Africa’s Great War Financial Times : 6 July 2018

Does art have the power to affect people’s view of war and politics? In the years during and following the first world war, art did its best to reflect the desolation and sense of waste prompted by the monstrous number of lives lost between 1914 and 1918. Art and literature portrayed a world that had fallen apart and lost its moorings to meaning:...

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Artists Launch Global Art Project to Confront the Rise of Right-Wing Populism Related Press Artists Launch Global Art Project to Confront the Rise of Right-Wing Populism Art Forum : 27 February 2017

More than two hundred artists, musicians, writers, and arts professionals from forty countries have pledged to take part in Hands Off Our Revolution, a global art project that will organize a series of exhibitions and other programming to confront the rise of right-wing populism around the world.

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An unassuming storefront. A major museum. A collaboration that takes museum art to the people of L.A. Related Press An unassuming storefront. A major museum. A collaboration that takes museum art to the people of L.A. LA Times : 30 July 2015

Watching William Kentridge's video installation 7 Fragments for George Méliès is like watching a bunch of ghosts play with the materials of art. In this suite of seven videos, ink flows backward. Torn scraps of paper levitate and reassemble themselves. Drawings come magically to life.Kentridge is a highly regarded South African artist...

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You Can Never Have Too Much of a Good Thing Related Press You Can Never Have Too Much of a Good Thing The Art Newspaper : 13 July 2015

This summer the Los Angeles County Museum of Art is showing Christian Marclay’s The Clock for the sixth time since it acquired the work in 2011. The audience response to the 24-hour collage of film clips has been “tremendous” says a spokeswoman for the institution, who adds that each screening attracts long queues.So what is...

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William Kentridge at the UCCA in Beijing Related Press William Kentridge at the UCCA in Beijing Blouin ArtInfo : 7 July 2015

William Kentridge is currently holding his largest ever exhibition in Asia to date at the Ullens Center for Contemporary Art (UCCA) in Beijing.Curated by UCCA director Philip Tinari with assistant curator Zoe Diao, “William Kentridge: Notes Towards a Model Opera” encompasses all major projects by the artist from 1988 up until the...

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William Kentridge Believes South Africa Let Mandela Down Related Press William Kentridge Believes South Africa Let Mandela Down Flavia Foradini for The Art Newspaper / 13 December 2013 : 14 December 2013

 The South African artist William Kentridge is considered one of the most authoritative witnesses of the Nelson Mandela era. Now a world-renowned figure, Kentridge has focused his work, since the outset of his career in the mid-1970s, on the socio-economic and political issues of his native country.The artist’s family background is...

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