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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Related Press

20th Biennale of Sydney

e-flux 29 October 2015
XU Zhen, Arrogance Set, 2015, set of works, 290 x 150 x 324 cm, edition 3+2 AP. Produced by MadeIn Company. Courtesy the artist. Photograph: Thomas Fuesser.

The 20th Biennale of Sydney, inspired by a quote from author William Gibson, is titled The future is already here—it’s just not evenly distributed. This edition will be presented at venues conceived by Stephanie Rosenthal as “embassies of thought.” An embassy traditionally functions as a state within a state: a host country characteristically allows the embassy control of a specific territory, a system that enables the occupation and creation of new spaces in other lands. Understood more as temporary settings rather than fixed locales—places as transient homes for constellations of thought—the embassies for the Biennale are: Embassy of the Real (Cockatoo Island); Embassy of Translation (Museum of Contemporary Art Australia); Embassy of Spirits (Art Gallery of New South Wales); Embassy of Non-Participation (Artspace); Embassy of Stanislaw Lem (a bookshop); Embassy of Transition (Mortuary Station), and Embassy of Disappearance (Carriageworks).

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