Ocula MagazineContentsView All
Featured ContentView All
LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

Read More
Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

Read More
Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

Read More
Related Press

'SHE': International women artists at Shanghai Long Museum West Bund

Andrew Stooke Art Radar Journal First published on 24 September 2016
Three luminous abstract works, from left to right, Beatriz Milhazes, Queimadinho, 2014, Bridget Riley, Coda, 2016 and Joan Mitchell, Afternoon, 1969-70. Photo: Andrew Stooke.

Launched at the end of July 2016, SHE: International Women Artists Exhibition at Shanghai Long Museum West Bund presents a collection of works by female artists that are, according to curator Wang Wei, 'gathered together not only by their gender, but also by the true creativity'.

Exhibitions of women’s art have been hesitant to define women’s art as ‘Other’ and yet seek to produce a unity of concerns or sensibilities that are of women’s experience. Key exhibitions of the last 10 years such as WACK: Art and the Feminist Revolution, 2007 at Museum of Contemporary Art, Los Angeles, elles@centrepompidou, 2009 at Centre Pompidou in Paris or GOOD GIRLS: memory, desire, power, 2013 at National Museum of Contemporary Art, Bucharest have been thematic rather than chorological.

READ MORE ON artradarjournal.com


Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook