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LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

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Related Press

Artist Profile: Robert Zhao Renhui

by Sylvia Tsai for Art Asia Pacific 5 May 2014

Behind the lemon-yellow door in Singapore’s Goodman Arts Centre lies an idiosyncratic collection belonging to a 31-year-old artist and self-professed natural-history lover. Whimsical memorabilia fills the laboratory-like space; life-size replicas of a rottweiler, tortoise and stork greet the visitor. Display cases and various microscopes occupy a center table, while alligator skulls rest on a shelf. An adjacent table is covered with old Singapore postcards, loose photo slides and wildlife books. Welcome to the curious world of Robert Zhao Renhui.

Primarily photographic, Zhao’s practice is drawn from observations and research into the natural world. But it is not direct documentation; instead, he constructs and layers the subject with narratives, interweaving the real and the fictional, sowing a seed of doubt in viewers about the objectivity of the image before them. 

READ MORE ON artasiapacific.com

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