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LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

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Related Press

An Hour @ The Museum: No Boundary at ShanghArt Gallery

Lee Jian Xuan The Strait Times First published on 16 October 2015

Robert Zhao Renhui, View of Gali Batu, overlooking Bukit Panjang (2014). Archival Piezographic Print. 121 x 84 cm. Edition of 3. Courtesy ShanghART Gallery, Shanghai/Beijing/Singapore.

A disparate series of works, from ceramics to oil paintings to video works, done by four Singapore artists—Jason Lim, Joo Choon Lin, Robert Zhao Renhui and Vincent Leow—are on display at the No Boundary exhibition at ShanghArt Gallery. The quartet drew its inspiration from diverse sources. Leow, for example, created his art after a residency programme where he witnessed violence in the Middle East, while Lim sees the transformation of clay upon heating as a metaphor for new life.

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