Browse Contemporary Artworks

b. 1949, New Zealand

Mark Adams is one of New Zealand’s foremost documentary photographers. His work on Samoan Tattau, Maori-Pakeha interactions in and around Rotorua, and the documentation of Cook’s landing sites reflect his engagement with our postcolonial Pacific history.

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Nine Fathoms Passage, 27. 6. 2014 - 1. 7. 2014. After William Hodges 'Waterfall in Dusky Bay with a Maori Canoe, 1775-7’ by Mark Adams contemporary artwork photography
Mark Adams Nine Fathoms Passage, 27. 6. 2014 - 1. 7. 2014. After William Hodges 'Waterfall in Dusky Bay with a Maori Canoe, 1775-7’, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
120 x 100 cm
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2014 Nine Fathoms Passage, 27. 6. 2014 - 1. 7. 4c, 5c by Mark Adams contemporary artwork photography
Mark Adams 2014 Nine Fathoms Passage, 27. 6. 2014 - 1. 7. 4c, 5c, 2014 C-type print, silver-based colour enlargements from 8 x 10 inch Kodak Portra 400 negative framed on Dibond
157.5 x 112 cm
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12.11.2000 Huia, Kakapo, Kiwi, Kea. The Onslow Room, Clandon Park, Surrey, England. by Mark Adams contemporary artwork photography
Mark Adams 12.11.2000 Huia, Kakapo, Kiwi, Kea. The Onslow Room, Clandon Park, Surrey, England. Silver bromide hand print from 10 x 8 inch black and white negative
60 x 51 cm
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13.11.2000. Hinemihi. Clandon Park. Surrey, England by Mark Adams contemporary artwork photography
Mark Adams 13.11.2000. Hinemihi. Clandon Park. Surrey, England C type prints from 10 x 8 inch C41 negatives
132 x 213 cm
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11.11.2000. The Onslow Room, Clandon Park, Surrey, England. by Mark Adams contemporary artwork photography
Mark Adams 11.11.2000. The Onslow Room, Clandon Park, Surrey, England. Silver bromide hand paints from 10 x 8 inch C41 negatives
69 x 123 cm
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14.5.1995. Cascade Cove, Tauwhare, Rock shelter and Midden excavation. Tamatea-Dusky Sound by Mark Adams contemporary artwork photography
Mark Adams 14.5.1995. Cascade Cove, Tauwhare, Rock shelter and Midden excavation. Tamatea-Dusky Sound, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
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28.11.1995. Johann Reinhold Forster collection, Pitt Rivers Museum, Oxford by Mark Adams contemporary artwork photography
Mark Adams 28.11.1995. Johann Reinhold Forster collection, Pitt Rivers Museum, Oxford, 2015 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 2 prints,
60 x 51 cm
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12.12.1995. Motuara Island. Totaranui-Queen Charlotte Sound. After Russell Duncan by Mark Adams contemporary artwork photography
Mark Adams 12.12.1995. Motuara Island. Totaranui-Queen Charlotte Sound. After Russell Duncan, 2017 silver bromide hand print enlarged from 10 x 8 inch Kodak TMX400 negatives,
60 x 51 cm
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25.5.1995. The Observatory. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan by Mark Adams contemporary artwork photography
Mark Adams 25.5.1995. The Observatory. Astronomers Point. Totara stumps and regenerating forest. Tamatea-Dusky Sound. After Russell Duncan, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
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15.5.1995. Views from Astronomers Point. Tamatea Dusky Sound. After Russell Duncan by Mark Adams contemporary artwork photography
Mark Adams 15.5.1995. Views from Astronomers Point. Tamatea Dusky Sound. After Russell Duncan, 2017 silver bromide hand prints enlarged from 10 x 8 inch Kodak TMX400 negatives, 3 prints,
60 x 51 cm
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22. 6. 2014. Totara Stump, Astronomers Point, Pickersgill Harbour, Tamatea-Dusky Sound by Mark Adams contemporary artwork photography
Mark Adams 22. 6. 2014. Totara Stump, Astronomers Point, Pickersgill Harbour, Tamatea-Dusky Sound, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
120 x 100 cm
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Seaforth River, Supper Cove, Dusky Sound by Mark Adams contemporary artwork photography
Mark Adams Seaforth River, Supper Cove, Dusky Sound, 2014 C-type print, silver based colour enlargements from 10x8 inch Kodak Portra 400
50 x 75 cm
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27.9.1997 At Te Marua - Old Pa. Ngati Koata. Rangitoto - D'Urville Island by Mark Adams contemporary artwork photography
Mark Adams 27.9.1997 At Te Marua - Old Pa. Ngati Koata. Rangitoto - D'Urville Island 20 x 24 inch silver bromide fibre based print enlarged from 10 x 8 inch black and white negatives,
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Cook's Sites 21.5.1995 After William Hodges' 'Cascade Cove, Dusky Bay' by Mark Adams contemporary artwork photography
Mark Adams Cook's Sites 21.5.1995 After William Hodges' 'Cascade Cove, Dusky Bay', c. 2007 Gold toned silver bromide fibre-based prints (4 prints)
60 x 51 cm
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Ocula presents comprehensive online access to a diverse number of artworks by a broad range of artists. On Ocula you can find artworks by well-known established artists as well as emerging artists.

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Using the tools within Ocula you can learn more about the artist who created the work, share the artwork with others, and enquire as to its availability for purchase, and also its price. Defining contemporary art is both complex and controversial, but the decision to place an artwork within the category usually rests on one requirement: namely, that the artwork was created in the current century, regardless of its medium.

Beyond this simplistic definition, however, it can be difficult to pin down any universal principles that bind the pieces produced by 21st-century artists—though perhaps diversity itself might be understood as a general theme. Developing in parallel with the prevalent theory of postmodernism, contemporary art shares a commitment to pluralism and variety (rather than, that is, to stability and straightforward truth).

Some commentators speak of 'modern contemporary art', with this term's conflation of the modern art and the contemporary art models pointing to the murky boundary that separates the early 20th-century modernist movement from the sprawling latter movement that has ruled the art scene in recent decades.

The two are indeed connected—with the contemporary fine arts essentially an outgrowth of the modern movement—but what definitively separates them is the clear set of principles that all modernist artworks share, as opposed to the relatively absent criteria surrounding contemporary artworks.

For all its experimentalism, though, contemporary art is not entirely anti-traditional, as semblances of prior artistic conditions—be that modernism, impressionism, or realism—can be found hidden within many works. Long-established ideas like the anti-establishment role of art and the artist in society continue to prevail in the contemporary art scene, with visionary creatives across the globe often using their talents to make political statements through art.

The diversity of contemporary art is reflected in the many different artworks presented on the pages of Ocula. On these pages you will find artworks ranging from watercolour paintings, acrylic paintings, oil paintings, video artworks, sculptures, conceptual artworks to fine art photography and prints. Many of these artworks are for sale and you can make an enquiry directly to the Ocula member gallery representing the relevant artist.

In Ocula Magazine, an even wider range of artworks are referenced, including performance works. In considering the artworks on Ocula, we encourage you to not view them in isolation, but to consider how the work might fit into the artist's practice by reading the artist's profile, how the work relates to the artist's exhibition history and by exploring the articles written by Ocula Magazine and / or other publications on the artist.

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