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Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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'Curated by Christine Tohme, Sharjah Biennial 13, Tamawuj unfolds in five parts from October 2016 through October 2017. Featuring over fifty international artists, the biennial encompasses exhibitions and a public programme in two acts in Sharjah and Beirut; a year-long education programme in Sharjah; projects in Dakar, Ramallah, Istanbul and Beirut; and an online publishing platform.

Tamawuj, a noun in Arabic which is defined as a rising and falling in waves, but also a flowing, swelling, surging, fluctuation or a wavy undulating appearance outline or form, is reflective of SB13’s aims to cultivate collaborations, infrastructures and strategies within Sharjah and the project localities. The Biennial poses questions around, and proposes answers to the conditions for the possibility of an art world. In a region currently being invested with larger institutions and lesser infrastructures, SB13 will cross from the ideal to the material. Vital interventions will stretch the idea of the biennial in order to traverse rooted contexts, harnessing the agility and fragility of present informal networks. 

The five parts of SB13 are an online depository of research material, four projects curated by four Interlocutors outside of the UAE, a year-long education programme in Sharjah, a year-long online publishing platform and a public programme in two parts: Act I, the biennial exhibition and programme in Sharjah from March to June 2017, and Act II, the culmination of SB13 taking place in Beirut in October 2017.

Sharjah Biennial is organised by Sharjah Art Foundation, which brings a broad range of contemporary art and cultural programmes to the communities of Sharjah, the UAE and the region. Since 1993, Sharjah Biennial has commissioned, produced and presented large-scale public installations, performances, and films, offering artists from the region and beyond an internationally recognised platform for exhibition and experimentation.'

–Sharjah Biennial 13, Tamawuj (10 March–12 June 2017).

Sharjah Biennial 13 takes place from 10 March to 12 June in Sharjah, United Arab Emirates.

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