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Aesthetic Radicalism in 'Awakenings’ at Singapore’s National Gallery Ocula Report Aesthetic Radicalism in 'Awakenings’ at Singapore’s National Gallery 21 Jun 2019 : Sam Gaskin for Ocula

Awakenings: Art in Society in Asia 1960s–1990s, a major retrospective at Singapore's National Gallery (14 June–15 September 2019), opens emphatically in flames. At the exhibition's entrance, viewers encounter a wall-sized image from 1964 titled Burning Canvases Floating on the River. The photograph captures a performance by Lee Seung-taek, in which...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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'Sites Encountered': A Chorus of Five Artists at M+ Pavilion Ocula Report 'Sites Encountered': A Chorus of Five Artists at M+ Pavilion 21 Jun 2019 : Emily Verla Bovino for Ocula

Without punctuation, She Said Why Me, the title of May Fung's 1989 video presents itself as a statement, rather than a question. It suggests a subject who expects no response, a person prepared to make what she can from being chosen though perplexed by the attention. The video follows a blindfolded woman, then unmasked, through late colonial-era...

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'Curated by Christine Tohme, Sharjah Biennial 13, Tamawuj unfolds in five parts from October 2016 through October 2017. Featuring over fifty international artists, the biennial encompasses exhibitions and a public programme in two acts in Sharjah and Beirut; a year-long education programme in Sharjah; projects in Dakar, Ramallah, Istanbul and Beirut; and an online publishing platform.

Tamawuj, a noun in Arabic which is defined as a rising and falling in waves, but also a flowing, swelling, surging, fluctuation or a wavy undulating appearance outline or form, is reflective of SB13’s aims to cultivate collaborations, infrastructures and strategies within Sharjah and the project localities. The Biennial poses questions around, and proposes answers to the conditions for the possibility of an art world. In a region currently being invested with larger institutions and lesser infrastructures, SB13 will cross from the ideal to the material. Vital interventions will stretch the idea of the biennial in order to traverse rooted contexts, harnessing the agility and fragility of present informal networks. 

The five parts of SB13 are an online depository of research material, four projects curated by four Interlocutors outside of the UAE, a year-long education programme in Sharjah, a year-long online publishing platform and a public programme in two parts: Act I, the biennial exhibition and programme in Sharjah from March to June 2017, and Act II, the culmination of SB13 taking place in Beirut in October 2017.

Sharjah Biennial is organised by Sharjah Art Foundation, which brings a broad range of contemporary art and cultural programmes to the communities of Sharjah, the UAE and the region. Since 1993, Sharjah Biennial has commissioned, produced and presented large-scale public installations, performances, and films, offering artists from the region and beyond an internationally recognised platform for exhibition and experimentation.'

–Sharjah Biennial 13, Tamawuj (10 March–12 June 2017).

Sharjah Biennial 13 takes place from 10 March to 12 June in Sharjah, United Arab Emirates.

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