Asia Contemporary Art Week 's annual forum, Field Meeting, was staged outside of New York for the first time in 2019, with Take 6: Thinking Collections hosted by Alserkal Avenue in Dubai, concurrent to Quoz Arts Fest (25–26 January 2019). The two-day forum unfolded inside Concrete, Alserkal's impressive OMA-designed space, with pop-up...

Kazakhstan has been inhabited since the Paleolithic period. Its etymology comes from kazakh, meaning 'wanderer', and stan, which in Persian means 'land'. And so the country—ninth largest in the world—is literally translated to 'land of the wanderers'. From Genghis Khan's Mongolian Empire to the rise and fall of the Soviet Union, the...

‘I don’t have a concept of place anymore,’ was the response given by Ming Wong when asked about representing specific geographies during a panel as part of New York’s 10th Asia Contemporary Art Week (ACAW), 2015. Presented by the Asia Contemporary Art Consortium (ACAC), it brings together 150 artists, curators, and writers...

Culling together artistic and curatorial practices from across Asia, a continent of plural histories and multiple fictions, is no easy task. Especially when that continent has also spawned worldwide diasporas comprising multivalent, transnational artists continually crisscrossing spatial and temporal borders. The effectiveness of Asia...

Moving between her bases in the United States and China, Qinmin Liu questions the structures that define her identity through long-form, playful projects. The farcical nature of the elitist lifestyle synonymous with the global art market is the focus of her ongoing project 'AngelHaha', the first artist-run airline. The 'dream-driven business' was...

In the final two weeks of October, there seemed to be a shift of focus in the 13 th edition of Asia Contemporary Art Week's (ACAW) exhibitions in New York. Beginning on 15 October with Kuwaiti artist Monira Al Qadiri's evening of film and conversation with Assistant Curator Sophie Cavoulacos at The Museum of Modern Art (MoMA), the fortnight's...

Far from slowing down, the sixth week of Asia Contemporary Art Week continues to explore and unravel the rich possibilities of 'thinking collections', bringing together a variety of artists, filmmakers, and institutions in transnational and cross-disciplinary dialogue. Together, 'Asian-ness' is not deployed as a homogenising concept, but rather an...

To kick off Asia Contemporary Art Week's two-day forum, Field Meeting Take 6: Thinking Collections, curator and writer Leeza Ahmady performed a reading of On Kings, Films and Astronomads: A Script from Cave Paintings / Sufi Fluxus Production (2017). The fictional story begins with a king reflecting on his life to an audience of transcended...

Following the success of London's 'Post-nomadic Mind' exhibition, the third instalment of 'Focus Kazakhstan' is due to open at Mana Contemporary in Jersey City, USA under the banner 'Thinking Collections: Telling Tales'. The show is nestled within the larger programming of Asia Contemporary Art Week, offering itself as a retrospective exhibition...

Featuring more than 150 artists from China, India, Korea, Mongolia, Pakistan, Syria, and more, the thirteenth edition of Asia Contemporary Art Week (ACAW) kicked off on Wednesday, September 5, with an expanded program.

As part of this year's Asia Contemporary Art Week, and co-presented with Beijing Contemporary Art Foundation's inaugural Creative China Festival, Beijing-based artist Yu Fan mounted an exhibition of 20 sculptures at Sundaram Tagore Gallery in New York.

Berlin Art Link Productions visited the 6th Field Meeting in Dubai.

As a prelude to Asia Contemporary Art Week 2018, ACAW presented a wide-ranging discussion with internationally noted, Mumbai-based artist, Jitish Kallat, on the occasion of his exhibition "Decimal Point" at Sperone Westwater, with Vice President of Global Arts & Programs and Asia Society Museum Director, Boon Hui Tan and Independent...

Emerging from his most ambitious installation project to date – Fujiwara's keynote lecture performance transported the audience through the process of reproducing a full-scale replica of the Anne Frank House presented as a building within a building across four floors of a gallery in Tel Aviv.

This 10-minute performance piece by Hajra Waheed in collaboration with Clea Minaker translates elements of the artist's material practice into light and shadow. Set to a dedicated audio recording, an intimate letter from her sister, the work speaks to legacies of colonial violence and acts as both cry and call as it traces back a perpetuating...