Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...
Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.
Since 1988, Cemeti Art House founded by Nindityo Adipurnomo and Mella Jaarsma, has been exhibiting and communicating the works of both Indonesian and foreign contemporary artists. Since the beginning of Cemeti Gallery in 1988, it has functioned as an exhibition, information, documentation and promotion centre for the visual arts. All the files, archive and network was lodged in 1995 at the Cemeti Art Foundation. Recently, the Cemeti Art Foundation has changed its name to Indonesian Visual Art Archive (IVAA). Cemeti Art House and IVAA function as two separate organizations, each with their own vision and funding. Cemeti Art House focuses on exhibitions, art projects, residencies and art management. IVAA focuses on documentation, education and information. We often work together and both organizations contribute to art discourse and art developments, locally, nationally as well as internationally.Read More
Cemeti Art House’s main focus is stimulating art practices, art discourse and art management. Contemporary art in Indonesia can be seen as the form, concern, view and reflection of artists to issues developing in society. Through their work artists comment and depict general phenomena in society, whilst others express individual and personal approaches to their reality. These ideas and themes are expressed through a diverse range of media.
In 2010, Cemeti Art House launched a new platform in which the activities will revolve around and focus on reinventing ‘Art and Society’, emphasizing more alternative art practices that honour the ‘process’, rather than the ‘promotion’ of artists and art making.
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