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Stroked, 2012

Motor, iron, photograph
Variable dimensions

In a series of awkwardly constructed machines, Colin Chinnery tests the durability of images, subjecting photos to repeated physical torment as a way of speaking to our current condition of digital saturation. This piece comes from a 2012 exhibition in Shanghai in which artists addressed the human compulsion to make and consume images. This artwork is the courtesy of the artist and ShanghART Gallery.
Not for sale

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