即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
The Elgiz Museum was founded by collectors Sevda and Can Elgiz as the first contemporary art museum in Turkey in 2001. As public contemporary art museums and/or foundations did not exist, this privately-owned, non-profit institution took on the mission to support the development of contemporary art with an international identity in a 2000 m² space open to the public.
Formerly known as Proje4L, the space functioned as an experimental platform for young, up-and-coming artists and curators. Continuing this mission, the Elgiz Museum houses the family’s collection and hosts dynamic, avantgarde, temporary exhibitions, and educational programmes.
Beybi Giz Plaza,
+90 (0) 212 290 25 25
+90 (0) 212 290 25 26 (Fax)
Wednesday, Thursday, Friday 10:00 - 17:00
Saturday 10:00 - 16:00
Tuesday by appointment
Closed on Sunday - Monday and national holidays
In 2001, Sevda and Can Elgiz founded the Istanbul Contemporary Art Museum. Their mission was to support emerging artists by providing them with a space to show experimental art. As new art institutions opened in the wake of their initiative, the Elgiz' decided their personal collection was vast enough to justify converting the space into a private...
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