In the early 1970s, Siah Armajani's experimentation with computer-based graphics paved the way not only for a new aesthetic field, but also expanded his artistic practice to new territories. Taking his film work on the exploration of structures and lines using computer graphics as a point of departure, this film series expands into a presentation of films by other filmmakers/ artists in a similar theme of "line structure" and three others of Armajani's tropes of interests: bridges, houses, and gardens. Just as Armajani's Dictionary for Building (1974–75) deconstructs the typology of domestic architecture, these films explore new meanings of functional, social, and visual concepts of architecture and space.
9 Lock Road
Singapore
Singapore, 108937
www.gillmanbarracks.com
+65 6694 4077
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