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Gillman Barracks
Singapore

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Singapore Art Week 2022: Exhibitions to See Feature Singapore Art Week 2022: Exhibitions to See By Elaine YJ Zheng, Singapore, 12 January 2022 Ocula Magazine presents a selection of must-see exhibitions during the 10th edition of Singapore Art Week. Contemporary art copy fade Read More S.E.A. Focus Connects Southeast Asia With Hybrid Format Insight S.E.A. Focus Connects Southeast Asia With Hybrid Format By Tessa Moldan, Singapore, 26 January 2021 S.E.A. Focus embraces a hybrid format for its third edition. Contemporary art copy fade Read More At Singapore Biennale 2020, Artists Rework the World Feature At Singapore Biennale 2020, Artists Rework the World By Stephanie Bailey, Singapore, 7 February 2020 The sixth edition of the Singapore Biennale considers how artistic practices can 'rework the world'. Contemporary art copy fade Read More Emi Eu: ‘We have to look at Southeast Asia as one market’ Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ By Stephanie Bailey, Singapore, 24 January 2020 STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019. Contemporary art copy fade Read More Singapore Lowdown: Shows to See in 2020 Feature Singapore Lowdown: Shows to See in 2020 By Tessa Moldan, Singapore, 10 January 2020 Singapore Art Week returns from 11 to 19 January 2020 with a host of island-wide events, at the centre of which is the second edition of S.E.A. Focus (16–19 January 2020) at Gillman Barracks, showcasing the best of contemporary art in Southeast Asia. Contemporary art copy fade Read More Arin Rungjang Connects Diasporic Narratives at ShanghART, Singapore Insight Arin Rungjang Connects Diasporic Narratives at ShanghART, Singapore By Sherry Paik, Singapore, 30 August 2019 Sherry Paik reflects on the artist's solo exhibition currently on view at ShanghART Singapore (4 August–30 November 2019). Contemporary art copy fade Read More S.E.A. Focus and Singapore Art Week 2019 Feature S.E.A. Focus and Singapore Art Week 2019 By Diana d’Arenberg, Singapore, 1 February 2019 Diana d’Arenberg reports on Singapore Art Week, which saw the launch of the regional art fair S.E.A. Focus at Gillman Barracks (24–27 January 2019), noting a distinct camaraderie that saw the city’s art world band together after Art Stage Singapore’s sudden cancellation. Contemporary art copy fade Read More Melanie Pocock in Conversation Conversation Melanie Pocock in Conversation By Michael Lee, Singapore, 22 January 2019 'The ICA Singapore's galleries are the curatorial arms of LASALLE; while drawing on the resources of the college, they also reach outwards, creating bridges between communities of artists and the public.' Melanie Pocock discusses her curatorial work within ICA Singapore. Contemporary art copy fade Read More Singapore Art Week: Exhibitions to See in 2019 Feature Singapore Art Week: Exhibitions to See in 2019 By Tessa Moldan, Singapore, 18 January 2019 S.E.A. Focus, the new boutique art fair by STPI – Creative Workshop & Gallery (24–27 January 2019), will take centre stage during Singapore Art Week (19–27 January 2019). With plenty of exhibitions happening throughout the city, this list offers a selection of shows to see. Contemporary art copy fade Read More A Change of Scene: Art Stage Singapore 2018 Feature A Change of Scene: Art Stage Singapore 2018 By Diana d'Arenberg, Singapore, 9 February 2018 The fair was, in its initial years, seen as Singapore’s answer to Art Basel, but with a distinct regional flavour—fast forward to 2018 and much has changed. Contemporary art copy fade Read More Dawn Ng: Rehearsals for the Final Farewell Insight Dawn Ng: Rehearsals for the Final Farewell By Michael Lee, Singapore, 22 September 2017 A relentless defiance against singularity pervades Dawn Ng's formal training and aesthetic methodologies. After two years at Georgetown University in Washington D.C., Ng spent her third year of studie Contemporary art copy fade Read More Miya Ando: Traversing the Edge of a Forest Insight Miya Ando: Traversing the Edge of a Forest By Brienne Walsh, Singapore, 22 September 2017 Born to a Japanese mother and an American father, [Miya Ando][0] is very much a creature of both the East and West. Known for creating large-scale installations, paintings and sculptures redolent of n Contemporary art copy fade Read More Abdul Abdullah: Leaving Clues Insight Abdul Abdullah: Leaving Clues By Mikala Tai, Singapore, 22 September 2017 Sydney-based artist [Abdul Abdullah][0] is the 'outsider amongst outsiders', with an interdisciplinary practice that explores the misconceptions and misunderstanding of minority groups in a multicultu Contemporary art copy fade Read More Albert Yonathan Setyawan: Some Kind of Devotion Insight Albert Yonathan Setyawan: Some Kind of Devotion By Elliat Albrecht, Singapore, 22 September 2017 Albert Yonathan Setyawan believes there's a holiness in recurrence. Born in Bandung, the Indonesian artist is known for his drawings and performances, but is perhaps most widely recognised for his masterfully made and diminutive ceramic sculptures, replicated by the hundreds and arranged in geometric or mandala-like formations. Contemporary art copy fade Read More Francis Ng: A Bit of an Anomaly Insight Francis Ng: A Bit of an Anomaly By Louis Ho, Singapore, 22 September 2017 Francis Ng has led many lives. A self-described 'low-tech person', Ng made a name for himself as a young artist with Delocating margins (2001), a site-specific intervention in a disused shophouse lo Contemporary art copy fade Read More Frank Holliday: Painting Beyond Borders Insight Frank Holliday: Painting Beyond Borders By Tessa Moldan, Singapore, 22 September 2017 With its beginnings in [New York][0]'s East Village scene of the 1980s, Frank Holliday's ongoing career as a painter is a testament to the medium's endurance. Today, Holliday is precisely what you wou Contemporary art copy fade Read More Fyerool Darma: Resurrecting the Archipelago Insight Fyerool Darma: Resurrecting the Archipelago By Muhammad Hafiz, Singapore, 22 September 2017 Born, raised and based in [Singapore][0], Fyerool Darma has recently become one of the most sought-after artists working in Southeast Asia. Beginning with his breakout solo exhibition Moyang at Sing Contemporary art copy fade Read More Hiromi Tango: On Being Human Insight Hiromi Tango: On Being Human By Susan Acret, Singapore, 22 September 2017 There is a luminescence to Hiromi Tango's art practice that is perhaps a brightness born out of darkness; a mysterious, beguiling playfulness that hints at more serious matters. Her art is distinctive Contemporary art copy fade Read More Hiroshi Senju: No Need for Walls Insight Hiroshi Senju: No Need for Walls By Elliat Albrecht, Singapore, 22 September 2017 Looking at one of Hiroshi Senju's waterfall paintings feels akin to being alone inside a dark cave with a private cascade. Contemporary art copy fade Read More indieguerillas: The Unlucky Generation Insight indieguerillas: The Unlucky Generation By Elliat Albrecht and Aisha Johan, Singapore, 22 September 2017 Indonesian artist duo [indieguerillas][0], comprised of husband and wife Dyatmiko 'Miko' Lancur Bawono and Santi Ariestyowanti, was formed in 1999 in [Yogyakarta][1] as a graphic design firm. If the ' Contemporary art copy fade Read More Khairuddin Hori: Boundaries and Provocations Insight Khairuddin Hori: Boundaries and Provocations By Anna Dickie, Singapore, 22 September 2017 In the interview, Tianzhuo Chen describes Khairuddin Hori as a curator who enabled the artist to test his own boundaries. Contemporary art copy fade Read More Lorenz Helbling: Bringing Continuity to Art Conversation Lorenz Helbling: Bringing Continuity to Art By Robin Peckham, Singapore, 22 September 2017 With the Shanghai scene growing at an impressive rate, ShanghART Gallery remains at the very centre hub of China's art world. Contemporary art copy fade Read More Massimo Giannoni: Painting the Space Between Order and Chaos Insight Massimo Giannoni: Painting the Space Between Order and Chaos By Alice Russotti, Singapore, 22 September 2017 Massimo Giannoni is an Italian artist living and working in Florence. His paintings bear the influence of the old master works that abound in Italy, and remind one of the grand interiors in Renaissanc Contemporary art copy fade Read More Yinka Shonibare (MBE, RA) at Pearl Lam Galleries Insight Yinka Shonibare (MBE, RA) at Pearl Lam Galleries By Anna Dickie, Singapore, 2 February 2016 My parents wanted me to be a lawyer, so in a way choosing to do art was my way of rebelling against them and developing my own identity. Contemporary art copy fade Read More
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