Ocula Report Ocula 报告｜Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula 即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
Ocula Conversation Wong Ping: Hong Kong Fables There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
As part of the artistic community of the College of Saint Benilde’s School of Design and Arts, the Museum of Contemporary Art and Design (MCAD) is a unique institution that offers the experience of and exposure to contemporary art and its various publics, with a focus on Manila, Philippines as context.
Distinct for its position as a non-collecting institution, MCAD’s contemporary art exhibitions, public programs, as well as other cultural and art-inspired undertakings showcase the possibilities of technology, new media and presents content that encourages engagement with art and culture, its practice and production, as well as its presentation and interpretation. Professionally recognized for its standards in curatorial and exhibition practice, MCAD is a space where art is central. By remaining reflexive and responsive to changes in society, politics and the production of ideas, the Museum seeks to develop an innovative and inclusionary paradigm where “free access for all” addresses not only a cross-section of social classes, but also of knowledges.
