Ocula Conversation Bani Abidi: ‘What you see in my films is what I know’ A group of voices accompanies me in the exhibition. They are singing words I cannot comprehend, yet the warm tunes are familiar: folk songs, love songs, songs of longing. There are letters, too. They speak of the quotidian details of a soldier's life: the hardness of the war, sending money to the family, and longing for familiar landscapes, food,...
Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019 Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
As part of the artistic community of the College of Saint Benilde’s School of Design and Arts, the Museum of Contemporary Art and Design (MCAD) is a unique institution that offers the experience of and exposure to contemporary art and its various publics, with a focus on Manila, Philippines as context.
Distinct for its position as a non-collecting institution, MCAD’s contemporary art exhibitions, public programs, as well as other cultural and art-inspired undertakings showcase the possibilities of technology, new media and presents content that encourages engagement with art and culture, its practice and production, as well as its presentation and interpretation. Professionally recognized for its standards in curatorial and exhibition practice, MCAD is a space where art is central. By remaining reflexive and responsive to changes in society, politics and the production of ideas, the Museum seeks to develop an innovative and inclusionary paradigm where “free access for all” addresses not only a cross-section of social classes, but also of knowledges.
