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Tarrawarra Museum of Art In Ocula Magazine

TarraWarra Biennial: Thoughts on Time and Space

Ocula Feature TarraWarra Biennial: Thoughts on Time and Space By Chi Tran, Tarrawarra With 49 works presented in all four galleries of the museum by 25 artists, the core theme of this year's TarraWarra Biennial is slowness.

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Art in Melbourne: Nine Online Programmes in 2020

Ocula Feature Art in Melbourne: Nine Online Programmes in 2020 By Tessa Moldan, Melbourne Connect with Melbourne via nine online programmes ahead of Melbourne Art Fair's Online Viewing Rooms.

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TarraWarra International 2019: Tracing Tangible Shadows

Ocula Feature TarraWarra International 2019: Tracing Tangible Shadows By Natalie King, Melbourne TarraWarra International 2019: The Tangible Trace, curated by Victoria Lynn, considers the trace as a 'residue or marker of a place, situation or body of knowledge.'

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Patricia Piccinini & Victoria Lynn

Ocula Conversation Patricia Piccinini & Victoria Lynn By TarraWarra Museum of Art and Australia I come from a position that starts with the relationship between humans and other animals; that sees humans as a kind of animal.

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Ocula Report: TarraWarra Biennial 2016

Ocula Feature Ocula Report: TarraWarra Biennial 2016 By Zara Sigglekow, TarraWarra A noticeable trend has emerged on the biennale circuit of curatorial collaborations between publications and exhibition makers

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Helen Hughes and Victoria Lynn

Ocula Conversation Helen Hughes and Victoria Lynn By Zara Sigglekow, Melbourne It's not a journal curating an exhibition; rather it's a collaboration between an exhibition and a journal at a metaphorical level.

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Natalie King And Djon Mundine

Ocula Conversation Natalie King And Djon Mundine By Anna Dickie, TarraWarra By co-curating we want to break the constraints of various structures and conservative views within the art world.

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The Poetic Politics Of ‘Whisper In My Mask’

Ocula Feature The Poetic Politics Of ‘Whisper In My Mask’ By Zara Sigglekow, TarraWarra Whisper In My Mask is a contemporary Australian exhibition which mixes the political with the poetic. Through a diverse range of medium, the biennial, now in its fourth iteration, includes Indigenous and non-Indigenous bound by the rich theme of ‘masking’. The strength of this exhibition lies in the careful balance that it...

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