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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Ocula Insight

Darren Almond at SCAI The Bathhouse, Tokyo

1 March 2016

Exhibition view of Darren Almond, Within The Shadow of the Sun, 2016, SCAI The Bathhouse, Tokyo. Courtesy SCAI The Bathhouse.

Using both traditional and new media, Darren Almond explores personal and collective visions of time. He questions how such a concept may be understood within the limits of human perception, using research conducted at specific sites to inform his perspectives. For this purpose he often travels to vast, meditative landscapes such as that of the Arctic Circle.

In his latest exhibition, Within The Shadow of The Sun, at SCAI The Bathhouse, Almond interrogates time within the momentary and the infinite. Hand-Held Sun forms the nucleus of the exhibition; an iPhone video of the sun as seen through a telescope is projected to fill the entirety of one wall of the space. On the floor is a small monitor showing the moon, scaled to the sun in an approximation of their real-life proportions. On the walls of the space is Almond's 'In Reflection' painting series—mirrored surfaces, illuminated solely by the projection and monitor.

An excerpt from the exhibition press release:

The exhibition, Within The Shadow of The Sun, links together a constellation of [Almond's] newest works made as a result of such explorations with a focus on celestial environments. Explicit in these works are the tools and language that have facilitated our greater understanding and comprehension of our being in relation to the infinite void of space and time.

In this interview with Angela Reynolds, Almond discusses his inspirations for the exhibition, his practice and process, and his fascination with time, the digital world and nature.


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