You currently have on show more than 100 of your photographs at both Sundaram Tagore and the Aperture Foundation – perhaps you could pick out which image you feel is most symbolic of your practice?
Hiroji Kubota. © Dan Szpara
For me, there are a few works which standout. Of the dye-transfers on show at Sundaram Tagore, it is my triptych of the Guilin Mountains in China from 1981 and my photograph of the Golden Rock of Burma from 1978. Then at the Aperture Foundation, where they have on display my earlier platinum prints from the 60s and 70s, my image of Shanghai in 1979 and Hong Kong in 1971 are especially symbolic.