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Taloi Havini: Reclaiming Space and History Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Sydney Biennale Connects Here with Everywhere Latest Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

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Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

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Photolog

Ai Weiwei Exhibitions in Beijing

For the first time in his life, the famous Chinese artist designs and realises a solo exhibition in his home country.

AI WEIWEI Chandelier, 2015. Copper, crystal and light fixtures 400 x 241 x 231 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Chandelier, 2015. Copper, crystal and light fixtures 400 x 241 x 231 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Chandelier, 2015. Copper, crystal and light fixtures 400 x 241 x 231 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Colored Carving, 2015. Carved wooden building element from late Ming Dynasty (1368-1644) with paint. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Colored Carving, 2015. Carved wooden building element from late Ming Dynasty (1368-1644) with paint. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Colored Carving, 2015. Carved wooden building element from late Ming Dynasty (1368-1644) with paint. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Colored Mirror, 2015. Mirror in rosewood frame from Qing Dynasty (1644-1912), paint 262,5 x 200 x 6 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Colored Mirror, 2015. Mirror in rosewood frame from Qing Dynasty (1644-1912), paint 262,5 x 200 x 6 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Crystal Pillar Foundation 2015. Crystal and writing on paper 52 x 52 x 41,5 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Crystal Pillar Foundation 2015. Crystal and writing on paper 52 x 52 x 41,5 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Dragon Lantern and Bench, 2015. Antique dragon lamp, lanterns and wooden bench. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Ladder, 2015. Wood and paint 601 x 82 x 15 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Pillar Foundation with Twenty‐Four Histories, 2015. Wooden box and partial texts from 'Twenty-Four Histories' on paper. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Pillar Foundation with Twenty‐Four Histories, 2015. Wooden box and partial texts from 'Twenty-Four Histories' on paper. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Spouts Installation, 2015. 10,000 antique spouts from Song to Qing Dynasties. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Spouts Installation, 2015. 10,000 antique spouts from Song to Qing Dynasties. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Wang Family Ancestral Hall Photograph, 2015. Color print 132 x 129,3 x 6 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Wang Family Ancestral Hall Photographs, 2015. 9 b/w prints 79 x 48 x 3,5 cm each. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Wang Family Ancestral Hall, 2015. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Wang Family Ancestral Hall, 2015. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Wang Family Ancestral Hall, 2015. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Wang Family Ancestral Hall, 2015. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
AI WEIWEI Wang Family Ancestral Hall, 2015. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
Ai Weiwei, Dragon Lantern and Tables, 2015. Antique dragon lamp with bamboo, structure,lanterns and wooden tables, variable dimension. Courtesy: TANG Contemporary Art
Ai Weiwei, Lihe Hall Plaque, 2015. 360×136×6cm, wooden plaque. Courtesy: TANG Contemporary Art
Ai Weiwei, Set of Spouts, 2015. Porcelain Teapot Spouts from Song Dynasty(960-1279) Unique set of 11 pieces, variable dimension. Courtesy: TANG Contemporary Art
Ai Weiwei, Spouts installation, 2015.  495 x 430 cm 10,000 antique spouts from Song to Qing Dynasties. Courtesy: TANG Contemporary Art
Ai Weiwei, Wang Family Ancestral Hall, 2015. Over 1,300 pieces of various wooden building elements from late Ming Dynasty (1368-1644) with original carvings and painted replacements, 2100×1680×942 cm. Courtesy: TANG Contemporary Art
Installation in progress. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
Installation in progress. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
Installation in progress. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
Installation in progress. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
Installation view Ai Weiwei, curated by Cui Cancan. Courtesy: TANG Contemporary Art
Installation view Ai Weiwei, curated by Cui Cancan. Courtesy: TANG Contemporary Art
Wang Family Ancestral Hall Photograph, 2015. Color print 129,3 x 216,5 x 6 cm. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins. Photo by: Oak Taylor-Smith
Wang Family Ancestral Hall, 2015. Over 1,300 pieces of various wooden building elements from late Ming Dynasty (1368-1644) with original carvings and painted replacements, 2100×1680×942 cm. Courtesy: TANG Contemporary Art

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