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Latest Ocula Conversations Laure Prouvost Gabi Ngcobo Patrizia Sandretto Re Rebaudengo Otobong Nkanga William Kentridge Latest Ocula Reports Iranian Art at LACMA: In the Fields of Empty Days Dak’Art Biennale 2018: The Red Hour SUPERPOSITION: Equilibrium & Engagement at the 21st... Auckland Art Exhibitions: the Lowdown Viewpoint: Arthur Jafa at Julia Stoschek Collection,...
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Iranian Art at LACMA: In the Fields of Empty Days
Ocula ReportIranian Art at LACMA: In the Fields of Empty Days12 Jun 2018 : Perwana Nazif for Ocula{{document.location.href}}
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art at the Los Angeles County Museum of Art (LACMA, 6 May–9 September 2018), explores 'the continuous and inescapable presence of the past in Iranian society.' Curated by Linda Komaroff, curator of Islamic art and head of LACMA's Art of the Middle East department, the...
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Laure Prouvost
Ocula ConversationLaure Prouvost{{document.location.href}}
Laure Prouvost's most recent exhibition in New York at Lisson Gallery (9 March–14 April 2018) was a gesamtkunstwerk of sorts. The show spread through the entire 10th Avenue gallery space and included two years of artistic production: installation, sculpture, painting, textile, sound and moving image. Uncle's Travel Agency Franchise, Deep Travel...
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Dak’Art Biennale 2018: The Red Hour
Ocula ReportDak’Art Biennale 2018: The Red Hour1 Jun 2018 : Federica Bueti for Ocula{{document.location.href}}
On my last evening in Dakar, I made my way to Yarakh, a neighbourhood on the eastern side of the Senegalese capital, where I was guided down a narrow sandy path toward a beach where a group of actors, artists, and locals were taking part in or attending the performance Xeex Bi Du Jeex (a luta continua). The play was written collaboratively in 2018...
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